Salman Rushdie

Salman Rushdie
Sir Ahmad Salman Rushdie, FRSL, احمد سلمان رشدی; born 19 June 1947) is a British Indian novelist and essayist. His second novel, Midnight's Children, won the Booker Prize in 1981. Much of his fiction is set on the Indian subcontinent. He combines magical realism with historical fiction; his work is concerned with the many connections, disruptions, and migrations between Eastern and Western civilizations...
NationalityIndian
ProfessionNovelist
Date of Birth19 June 1947
CityMumbai, India
CountryIndia
If you listen to the urban speech patterns in India you'll find it's quite characteristic that a sentence will begin in one language, go through a second language and end in a third. It's the very playful, very natural result of juggling languages. You are always reaching for the most appropriate phrase.
We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love.
I've been worrying about God a little bit lately... It seems like he's been in a bad mood. And I think it has to do with the quality of lovers he's been getting.
The worst, most insidious effect of censorship is that, in the end, it can deaden the imagination of the people. Where there is no debate, it is hard to go on remembering, every day, that there is a suppressed side to every argument.
...The lesson [comic books] taught children- or this child, at any rate- was perhaps the unintentionally radical truth that exceptionality was the greatest and most heroic of values; that those who were unlike the crowd were to be treasured the most lovingly; and that this exceptionality was a treasure so great that it had to be concealed, in ordinary life, beneath what the comic books called a 'secret identity'.
How does newness come into the world? How is it born? Of what fusions, translations, conjoinings is it made? How does it survive, extreme and dangerous as it is? What compromises, what deals, what betrayals of its secret nature must it make to stave off the wrecking crew, the exterminating angel, the guillotine? Is birth always a fall? Do angels have wings? Can men fly?
... If Islam is to be reconciled with modernity, these voices must be encouraged until they swell into a roar. Many of them speak of another Islam, their personal, private faith. The restoration of religion to the sphere of the personal, its depoliticization, is the nettle that all Muslim societies must grasp in order to become modern.
We who have grown up on a diet of honour and shame can still grasp what must seem unthinkable to people living in the aftermath of the death of God and of tragedy: that men will sacrifice their dearest love on the implacable altars of their pride.
I don't think there is a need for an entity like God in my life.
What kind of God is it who's upset by a cartoon in Danish?
To respect Louis Farrakhan, we must understand, is simply to agree with him... If dissent is now also to be thought of as a form of 'dissing,' then we have indeed succumbed to the thought police.
Every Day Is for the Thief, by turns funny, mournful, and acerbic, offers a portrait of Nigeria in which anger, perhaps the most natural response to the often lamentable state of affairs there, is somehow muted and deflected by the author's deep engagement with the country: a profoundly disenchanted love. Teju Cole is among the most gifted writers of his generation.
A man is sane only to the extent that he subscribes to a previously-agreed construction of reality.
A photograph is a moral decision taken in one eighth of a second, or one sixteenth, or one one-hundred-and-twenty-eighth. Snap your fingers; a snapshot's faster.