Ralph Fiennes
Ralph Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennesis an English actor. A noted Shakespeare interpreter, he first achieved success onstage at the Royal National Theatre...
NationalityBritish
ProfessionMovie Actor
Date of Birth22 December 1962
CityIpswich, England
again asks corporate corrupt couples early falls gone honesty intriguing justin level love people personal political questions relationships simple since suspicious thinking uncover vast work
I think he falls in love with her all over again after she's gone and as he uncovers what she had been up to -- her work to uncover a vast and very corrupt corporate and political conspiracy. It's particularly intriguing since -- for much of the early part of the film -- Justin is suspicious of her; thinking she was having an affair. I think the film asks questions about relationships between people and personal honesty. The honesty between couples and not just at the level of betrayal, but just about simple communication.
thinking editing ideas
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
thinking play dysfunction
I felt it [Shakespeare's Coriolanus] is sort of an examination of our dysfunction as a nationalistic, tribal entities. I think the world is rocking and cracking open in weird and worrying places. And I think Coriolanus, the play, reflected that.
thinking editing gone
Having gone through editing process, I can see that in actor's faces there's point where they're not managing their performance and that's, I think, the best place to be. You've done the homework, you've learned the lines, at that point you just sort of let it out.
art thinking advice
I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.
cutting thinking ideas
It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this." Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know."
jobs adventure thinking
I think I feel more like you're an actor for hire and you take the jobs you want to take, obviously, and some pay well and some don't pay well at all but you go on a gut feeling and it's all a big adventure.
thinking potters had-a-great-time
I loved doing Harry Potter. I had a great time on that. And I think it's good to have a mix. I think you're learning all the time.
hate thinking keys
Actors use who they are to be someone else, but I would hate to ever think I'm playing myself. It's imagining being someone else that is the key motivating thing for me. So when people want to know about me, it makes me a bit unnerved.
struggle thinking gist
I think Shakespeare is like a dialect. If I heard a broad Scots accent, I'd probably struggle at first but then I'd start to look for words I recognise and I'd get the gist. I think Shakespeare is like that.
avoid call camera guerrilla informs might particular shooting smacks street style wants
Fernando has a particular shooting style, ... which you might call guerrilla or documentary. He wants to avoid anything that smacks of a camera setup. It's as if the street informs the camera.
british-actor second shoot
There's only one day to shoot one scene, you don't get a second chance. You've got to say, This is what I feel. Could I try this?
last
That's the last thing that I would do. I wouldn't be that patronizing.
You just want to find that little thing.