Ralph Fiennes

Ralph Fiennes
Ralph Nathaniel Twisleton-Wykeham-Fiennesis an English actor. A noted Shakespeare interpreter, he first achieved success onstage at the Royal National Theatre...
NationalityBritish
ProfessionMovie Actor
Date of Birth22 December 1962
CityIpswich, England
art thinking advice
I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.
editing editors watches
I have a great editor and I enjoy, in a masochistic way, being ruthless about my own performance. There's an initial point in the editing, if you're directing yourself, especially in my case, where you go, "Ouch, ouch, ouch, I can't watch this." And then, there's a point where you become hard-nosed and just take your neurosis away and go, "What's working? That's okay. That's okay. We can lose that, and lose that." You get objective about it.
cutting thinking ideas
It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this." Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know."
nice clear-direction giving
It's not great if someone gives you sort of bland praise without giving you clear direction and say, "This is good, let's try it like this." I have worked with someone who seemed quite inarticulate and just would say, "That's good, that's good." That's very frustrating because - it's nice to know something is good but you know it can always change.
believe two people
Like anything to do with trust, in any relationship it emerges and just the chemistry, vibe between two people [an actor and a director]. You just know whether this is someone I like to be with whose interaction with me I believe in.
clever intelligent evil
Ridicule is also a weapon against forces of evil. Really clever, intelligent ridicule.
jobs adventure thinking
I think I feel more like you're an actor for hire and you take the jobs you want to take, obviously, and some pay well and some don't pay well at all but you go on a gut feeling and it's all a big adventure.
moving people focus
It's great to be on a set where there's time and there's focus and there's also a kind of adrenaline thrill on a set where people are saying: "We have to get this shot, we've have to go, we've got to move on!"
opportunity different potters
It's thrilling to have the opportunity to work in different areas, whether it's on a project that has all the resources behind it like Harry Potter or James Bond and then to go somewhere there's very few resources.
thinking potters had-a-great-time
I loved doing Harry Potter. I had a great time on that. And I think it's good to have a mix. I think you're learning all the time.
editing giving way
I'm more relaxed about how the editing process will create a performance and that, in a way, gives me a sense of freedom.
film possibility shots
When you get into the edit you'll understand what making a film is. You'll see all the things you missed and all the possibilities you have from what you shot.
careers guts plans
I don't plan a career. That doesn't work for me. I just have to go with my gut.
mother buddhist catholic
When she was younger, my mother was quite committed to Roman Catholicism. But she got disillusioned with it and moved closer to something like Buddhist beliefs near the end of her life.