Rainer Maria Rilke
Rainer Maria Rilke
René Karl Wilhelm Johann Josef Maria Rilke—better known as Rainer Maria Rilke—was a Bohemian-Austrian poet and novelist, "widely recognized as one of the most lyrically intense German-language poets", writing in both verse and highly lyrical prose. Several critics have described Rilke's work as inherently "mystical". His writings include one novel, several collections of poetry, and several volumes of correspondence in which he invokes haunting images that focus on the difficulty of communion with the ineffable in an age of disbelief,...
NationalityGerman
ProfessionPoet
Date of Birth4 December 1875
CountryGermany
My blood is alive with many voices telling me I am made of longing.
To all that is used-up, and to all the muffled and dumb creatures in the world's full reserve, the unsayable sums, joyfully add yourself, and cancel the count.
Fig tree, how long it's been full meaning for me, the way you almost entirely omit to flower and into the seasonably-resolute fruit uncelebratedly thrust your purest secret. Like the tube of a fountain, your bent bough drives the sap downwards and up: and it leaps from its sleep, scarce waking, into the joy of its sweetest achievement.
It is good to say it aloud: 'Nothing has happened.' Once again: 'Nothing has happened.' Does that help?"
I believe that nothing that is real can pass away.
O trees of life, O when are you wintering?We are not unified. We have no instinctslike those of migratory birds. Useless, and late,we force ourselves, suddenly, onto the wind,and fall down to an indifferent lake.We realise flowering and fading together.And somewhere lions still roam. Never knowing,as long as they have their splendour, of any weakness.
Who, if I cried out, would hear me among the angels'hierarchies? and even if one of thempressed me against his heart: I would be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we still are just able to endure,and we are so awed because it serenely disdainsto annihilate us. Every angel is terrifying.
Works of art are of an infinite loneliness and with nothing so little to be reached as with criticism.
Why don't you conceive of God as an ally who is coming, who has been approaching since time began, the one who will someday arrive, the fruit of a tree whose leaves we are? Why not project his birth into the future, and live your life as an excruciating and lyrical moment in the history of a prodigious pregnancy?
Only those sadnesses are dangerous and bad which one carries about among people in order to drown them out.
And one of the things I find most moving is the way people with infirmities manage to embrace Life, and from the cool flowers by the wayside reach conclusions about the vast splendour of its great gardens. They can, if their souls' strings are finely tuned, arrive with much less effort at the feeling of eternity; for everything we do, they may dream. And precisely where our deeds end, theirs begin to bear fruit.
If there is nothing you can share with other people, try to be close to Things, they will not abandon you; and the nights are still here and the winds that move through the trees and across many lands; everything in the world of Things and animals is still filled with happening, which you can take part in;
I am too alone in the world and not alone enough to make every moment holy.
Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his reflective processes, and incomprehensibly to himself, all his progress should enter so swiftly into the work that he is unable to recognize them in the moment of transition. Alas, the artist who waits in ambush there, watching, detaining them, will find them transformed like the beautiful gold in the fairy tale which cannot remain gold because some small detail was not taken care of.