Rainer Maria Rilke
Rainer Maria Rilke
René Karl Wilhelm Johann Josef Maria Rilke—better known as Rainer Maria Rilke—was a Bohemian-Austrian poet and novelist, "widely recognized as one of the most lyrically intense German-language poets", writing in both verse and highly lyrical prose. Several critics have described Rilke's work as inherently "mystical". His writings include one novel, several collections of poetry, and several volumes of correspondence in which he invokes haunting images that focus on the difficulty of communion with the ineffable in an age of disbelief,...
NationalityGerman
ProfessionPoet
Date of Birth4 December 1875
CountryGermany
We must accept our reality as vastly as we possibly can; everything, even the unprecedented, must be possible within it.
People have (with the help of conventions) oriented all their solutions toward the easy and toward the easiest side of the easy; but it is clear that we must hold to what is difficult; everything alive holds to it, everything in Nature grows and defends itself in its own way and is characteristically and spontaneously itself, seeks at all costs to be so and against all opposition.
The moments when something new has entered us, something unknown; our feelings grow mute in shy embarrassment, everything in us withdraws, a silence arises, and the new experience, which no one knows, stands in the midst of it all and says nothing.
Read as little as possible of literary criticism - such things are either partisan opinions, which have become petrified and meaningless, hardened and empty of life, or else they are just clever word-games, in which one view wins today, and tomorrow the opposite view. Works of art are of an infinite solitude, and no means of approach is so useless as criticism.
Dying is strange and hard if it is not our death, but a death that takes us by storm, when we've ripened none within us.
Not since Moses has anyone seen a mountain so greatly.
Love is something difficult and it is more difficult than other things because in other conflicts nature herself enjoins men to collect themselves, to take themselves firmly in the hand with all their strength, while in the heightening of love the impulse is to give oneself wholly away.
My art is representational by choice....if the art of painting is to survive, it must describe and express people, their lives and times. It must communicate.
Art too is just a way of living, and however one lives, one can, without knowing, prepare for it; in everything real one is closer to it, more its neighbor, than in the unreal half-artistic professions, which, while they pretend to be close to art, in practice deny and attack the existence of all art - as, for example, all of journalism does and almost all criticism and three quarters of what is called (and wants to be called) literature.
Und dasTotsein ist mu« hsam und voller Nachholn, dass man allm a« hlich ein wenig Ewigkeit spu« rt. And being dead is hard work and full of retrieval before one can gradually feel a trace of eternity.
Life + a cat ... adds up to an incalculable sum.
Just as the creative artist is not allowed to choose, neither is he permitted to turn his back on anything: a single refusal, and he is cast out of the state of grace and becomes sinful all the way through.
Young people, who are beginners in everything, cannot yet know love: they have to learn it.
The most visible joy can only reveal itself to us when we've transformed it, within.