Phil Klay
Phil Klay
Phil Klayis an American writer and United States Marine officer who won the National Book Award for fiction in 2014 for his first book-length publication, a collection of short stories, Redeployment...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
art aspects delivering didactic experience explore eye fan generally hard life papers particular towards various war
I'm generally not a fan of didactic art because it papers over many of the hard experiences about war or anything else in life. I wanted to explore various aspects of the experience without an eye towards delivering any particular message.
art different-experiences veteran
Veteran art creates a meeting place between veterans and civilians, or simply between veterans with different experiences.
both iraqi scouts section served stories worked
I have two friends named Matt. They're both scouts in the cavalry. They both served in the same section of Iraq. They both worked with the same Iraqi translator. And yet, if you talk to them, their stories couldn't be more different, because one was there in 2006. One was there in 2008.
craft meet near notion obsessed people problem suppose surrounded talk writers
It's not a problem to be surrounded by other writers if that's the craft that you're doing. I suppose if you get obsessed with the notion of being a writer more than the writing itself, that would be bad. But I live near really smart, thoughtful people who take writing very seriously, and I can meet them for breakfast and talk books.
amount certain
In a strange way, you have to have a certain amount of distance from a thing in order to be able to write about it.
bizarre city literally madison people straight strange war york
I literally went straight to New York City from Iraq, which was bizarre and complicated. I was walking down Madison Avenue, and it was spring, and people were smartly dressed, and it was so strange because there was no sense that we were at war. It was something to grapple with.
lived overseas people
It's very strange getting out of the military, when you've lived in Iraq, and people you know are going overseas again and again. Some of them are getting injured.
assume bad civilians embark iraq nation ownership wars
The wars in Iraq and Afghanistan are as much every U.S. citizen's wars as they are the veterans' wars. If we don't assume that civilians have just as much ownership and the moral responsibilities that we have as a nation when we embark on something like that, then we're in a very bad situation.
people stories
When I tell stories about Iraq, the ones people react to are always the stories of violence. This is strange for me.
bothers clear restricted underneath
With fiction, you can take something that bothers you, or that you don't have in clear focus, and you can put it under as much stress as you want. Really get underneath the skin. With nonfiction, you're restricted to what happened.
takes time understand war
War is complicated and intense, and it takes time and thoughts to understand what it was.
arena courage display experience impose millions narratives politics touch war
War is an arena for the display of courage and virtue. Or war is politics by other means. War is a quasi-mystical experience where you get in touch with the real. There are millions of narratives we impose to try to make sense of war.
coming consumed country happening ordered paying
There's something odd about working 24/7, being consumed with everything that's happening in Iraq, and then coming back to the country that ordered you over there only to realize that a lot of Americans are not really paying attention.
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I started with things that I was troubled by or confused by or interested in, and then I wrote stories to try to puzzle my way through it. But the question is not how to represent war, because it's an abstract thing that's felt differently for all the characters.