Phil Klay
Phil Klay
Phil Klayis an American writer and United States Marine officer who won the National Book Award for fiction in 2014 for his first book-length publication, a collection of short stories, Redeployment...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
deal treating war
Treating war as farce is one way soldiers deal with it.
came course found people talked thinking
When I first came back from Iraq, I of course found myself thinking a lot about it. Not just my experiences, but those of people I talked to, friends, and colleagues.
lived overseas people
It's very strange getting out of the military, when you've lived in Iraq, and people you know are going overseas again and again. Some of them are getting injured.
craft meet near notion obsessed people problem suppose surrounded talk writers
It's not a problem to be surrounded by other writers if that's the craft that you're doing. I suppose if you get obsessed with the notion of being a writer more than the writing itself, that would be bad. But I live near really smart, thoughtful people who take writing very seriously, and I can meet them for breakfast and talk books.
assume bad civilians embark iraq nation ownership wars
The wars in Iraq and Afghanistan are as much every U.S. citizen's wars as they are the veterans' wars. If we don't assume that civilians have just as much ownership and the moral responsibilities that we have as a nation when we embark on something like that, then we're in a very bad situation.
collective embedded mankind notion rest separates war
The notion that war forever separates veterans from the rest of mankind has been long embedded in our collective consciousness.
takes time understand war
War is complicated and intense, and it takes time and thoughts to understand what it was.
arena courage display experience impose millions narratives politics touch war
War is an arena for the display of courage and virtue. Or war is politics by other means. War is a quasi-mystical experience where you get in touch with the real. There are millions of narratives we impose to try to make sense of war.
people stories
When I tell stories about Iraq, the ones people react to are always the stories of violence. This is strange for me.
bothers clear restricted underneath
With fiction, you can take something that bothers you, or that you don't have in clear focus, and you can put it under as much stress as you want. Really get underneath the skin. With nonfiction, you're restricted to what happened.
coming consumed country happening ordered paying
There's something odd about working 24/7, being consumed with everything that's happening in Iraq, and then coming back to the country that ordered you over there only to realize that a lot of Americans are not really paying attention.
aggressive command great iraq journalism marines pieces soldiers sudden
A lot of the great pieces of journalism from Iraq showed how important command influence was in violent, aggressive environments, where Marines and soldiers had a constrained set of choices to make in sudden moments.
experience few leads met people temptation whom
A lot of times, you're interacting with people for whom you're one of the very few veterans that they've met or had a lot of interactions with, and there's a temptation for you to feel like you can pontificate about what the experience was or what it meant, and that leads to a lot of nonsense.
archetypes minds navy notions people popular seal spectrum wide
There's a wide spectrum between a Navy SEAL hero-killer and a traumatized victim, but those are the archetypes - hashed and rehashed in the media, in popular culture, in the minds of people with a lot of preconceived notions but not much else.