Peter Jackson

Peter Jackson
Sir Peter Robert Jackson ONZ KNZMis a New Zealand filmmaker and screenwriter. He is best known as the director, writer and producer of The Lord of the Rings trilogyand The Hobbit trilogy, both of which are adapted from the novels of the same name by J. R. R. Tolkien. Other notable films include the critically lauded drama Heavenly Creatures, the mockumentary Forgotten Silver, the horror comedy The Frighteners, the epic monster remake film King Kongand the supernatural drama film The...
NationalityNew Zealander
ProfessionDirector
Date of Birth31 October 1961
CityPukerua Bay, New Zealand
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Wow, ... You're giving us an incredibly overwhelming night.
When a documentary is being made, it usually focuses on the director or an actor. We felt that it would be more interesting to really dissect a film down to its smallest components.
But the mood in training is great and everybody looks forward to playing.
It's all about the three points tomorrow. There will be a big crowd and, obviously, a lot of excitement if we win to keep up pressure for automatic promotion, but we can't come round and thank all the fans if they're on the pitch.
David Graham is a quality striker and I'm sure he'll score the goals we need and produce the goods.
I wanted the game to be able to take the audience a bit further than what the film could. And the final climax of the game gave us an opportunity to do something that the film could not do, which was to have an alternate ending - obviously everybody pretty much knows how King Kong ends.
The board and management have not made any decisions on what any clash guernsey might look like. Suffice to say when a design is agreed, members will be given the opportunity to make comments.
It was completely different (with Stead) because we were four months out of administration then,
That is precisely just what I don't want to be known as. I just want to go back to my own little filmmaking base, telling small New Zealand stories with my writing partner, Fran Walsh. I have no huge desire to be swallowed up by Hollywood.
That is precisely just what I don't want to be known as, ... I just want to go back to my own little filmmaking base, telling small New Zealand stories with my writing partner, Fran Walsh. I have no huge desire to be swallowed up by Hollywood.
It's a recurrence . . . it's aggressive.
I tried to make it as brutal as I could, ... I've been dying to make this movie my whole life, and I enjoyed every minute of it.
We are, after all, at the centennial of the Olmstead park plan.