Peter Jackson
Peter Jackson
Sir Peter Robert Jackson ONZ KNZMis a New Zealand filmmaker and screenwriter. He is best known as the director, writer and producer of The Lord of the Rings trilogyand The Hobbit trilogy, both of which are adapted from the novels of the same name by J. R. R. Tolkien. Other notable films include the critically lauded drama Heavenly Creatures, the mockumentary Forgotten Silver, the horror comedy The Frighteners, the epic monster remake film King Kongand the supernatural drama film The...
NationalityNew Zealander
ProfessionDirector
Date of Birth31 October 1961
CityPukerua Bay, New Zealand
We are trying to get to the bottom of what is causing Adnan the problem,
I have greatly enjoyed my collaborations with Howard Shore, whose musical themes made immeasurable contributions to 'The Lord of the Rings' trilogy, ... During the last few weeks, Howard and I came to realize that we had differing creative aspirations for the score of 'King Kong.' Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film. I'm looking forward to working with James Newton Howard, a composer whose work I've long admired, and I thank Howard Shore, whose talent is surpassed only by his graciousness.
I think it's gonna be a lot of lawyers sitting in a room trying to thrash out a deal before it will ever happen
I thought that there might be something unsatisfying about directing two Tolkien movies after 'Lord of the Rings.' I'd be trying to compete with myself and deliberately doing things differently.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
We made a promise to ourselves at the beginning of the process that we weren't going to put any of our own politics, our own messages or our own themes into these movies. What we were trying to do was to analyze what was important to Tolkien and to try to honor that. In a way, we were trying to make these films for him, not for ourselves.
Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film,
To people in my industry I'm usually a guy that tries to generate his own projects and I remain very elusive when people try and attach me to big projects.
I adore physical miniatures and try to use them as much as I can and have a bit of a fetish about that.
When a documentary is being made, it usually focuses on the director or an actor. We felt that it would be more interesting to really dissect a film down to its smallest components.
We used a lot of computer technology, and I think New York looks pretty convincing. I think most people will think we got in a time machine and somehow shot it in New York in '33.
We just heard about this and we are working with our information technology experts to address this.
But the mood in training is great and everybody looks forward to playing.
We might not always play well, but I can guarantee we will always give it 100 per cent and I don't know why some fans can't see that commitment.