Paul Auster
Paul Auster
Paul Benjamin Austeris an American author and director whose writing blends absurdism, existentialism, crime fiction, and the search for identity and personal meaning in works such as The New York Trilogy, Moon Palace, The Music of Chance, The Book of Illusions, and The Brooklyn Follies. His books have been translated into more than forty languages...
NationalityAmerican
ProfessionNovelist
Date of Birth3 February 1947
CityNewark, NJ
CountryUnited States of America
work york
I think New York has evolved in my work just the way the city has.
census inventing job locked narrator sequence straight talks third took volume wound york
I took a job with the U.S. Census Bureau. In The Locked Room, the third volume of the New York Trilogy, there's a sequence where the narrator talks about working for the census, and I took this straight from life. As in the book, I wound up inventing people. Kind of curious.
summer new-york writing
For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail.
new-york distance years
I met Peter Brook, the theater director, who's been based in Paris for many years at the Bouffes du Nord. I admire him tremendously. Some years ago, he was in New York, and he gave an interview with The Times, and what he said was this: "In my work, I try to capture the closeness of the everyday and the distance of myth. Because, without the closeness, you can't be moved, and without the distance, you can't be amazed." Isn't that extraordinary?
new-york home together
Existence was bigger than just life. It was everyone's life all together, and even if you lived in Buffalo, New York and had never been more than ten miles from home, you were part of the puzzle, too. It didn't matter how small your life was.
new-york june trying
It's June second, he told himself. Try to remember that. This is New York, and tomorrow will be June third. If all goes well, the following day will be the fourth. But nothing is certain.
girl new-york nice
Even in New York, there are a lot of very attractive girls pedaling around. That just happens to be one of the nice sights in our city, seeing a young woman on a bike.
new-york cities attachment
Cities - I'm attracted to them, and I have a special attachment to New York...it's my place.
blue
Blue in the Face' is a romp. It's kind of a modern-day vaudeville.
work
In my studio, it is unkempt and unattractive. Once I'm in my work, I don't notice where I am.
acceptable great loses might power simply stay
You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.
knows narrator people pick pretend
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
coming next seems witness
I've never been able to witness the birth of an idea. It seems as if one second, there's nothing particularly going on, and the next second, something is there. It's coming up out of my unconscious, up from places that I don't even know where they are.
body book history justify mother talking woke
I woke up one day and thought: 'I want to write a book about the history of my body.' I could justify talking about my mother because it was in her body that my body began.