Paul Auster
Paul Auster
Paul Benjamin Austeris an American author and director whose writing blends absurdism, existentialism, crime fiction, and the search for identity and personal meaning in works such as The New York Trilogy, Moon Palace, The Music of Chance, The Book of Illusions, and The Brooklyn Follies. His books have been translated into more than forty languages...
NationalityAmerican
ProfessionNovelist
Date of Birth3 February 1947
CityNewark, NJ
CountryUnited States of America
writing age faces
The ideal reader's the same, and I suppose this person has never had a face or a gender or an age. It's just some kind of unknown other who will be sympathetic and read each word carefully and understand what I'm writing about. I suppose every writer feels this.
girl luck age
Yes, she is in love with him, and yes, in spite of his qualms and inner hesitations, he loves her back, however improbable that might seem to him. Note here for the record that he is not someone with a special fixation on young girls. Until now, all the women in his life have been more or less his own age. Pilar therefore does not represent an embodiment of some ideal female type for him--she is merely herself, a small piece of luck he stumbled across one afternoon in a public park, an exception to every rule.
hate thinking age
I think I hate cynicism more than anything else. It's the curse of our age, and I want to avoid it at all costs.
thinking age stories
I knew from the age of 16 that I wanted to be a writer because I just didn't think I could do anything else. So I read and read and wrote short stories and dreamed of escape.
age way different
Eighteen is a terrible age, and while I walked around with the conviction that I was somehow more grown-up than my classmates, the truth was that I had merely found a different way of being young.
long age lucky
I feel now, in my impending old age, very lucky. I just can't tell you how lucky I feel, that I've managed to first of all, stay alive this long, in reasonably good health, and that I've been able to do what I want to do.
american-author book single syllable
The book is your book. You have been responsible for every single thing on every page, every comma, every syllable is your work.
accident bloom book felt walks
It's no accident that he should've felt that way because I very consciously was writing a book about the 20th century. In fact, all during the writing of the book I had a subtitle in mind, not that I was going to use it but it was kind of a working tool, which was "Anna Bloom Walks Through The 20th Century.
blue
Blue in the Face' is a romp. It's kind of a modern-day vaudeville.
chair dentist pair picked problem pulled sitting telephone time tooth wisdom
Anyway, right around that time I had a problem with a wisdom tooth and I had to go to the dentist to have the thing pulled out, and it was while I was sitting in the chair in the dentist's office, the dentist had picked up this big pair of pliers and was just about to yank out my tooth when the telephone rang.
absolutely book books human hungry intimate judge meet people stories strangers universe
I don't judge these things by numbers. How many people read 'Paradise Lost' when it was published? Two hundred? Three? As long as there's one reader, the book is doing what a book does. Books are irreplaceable, because they're the only place in the universe where two strangers can meet on absolutely intimate terms. We need to tell stories as human beings. People are as hungry for that as they have ever been.
becomes convinced defines finding forming impossible mind project somehow spend start thinking title work
I find it impossible to start a project without the title in mind. I can sometimes spend years thinking of the title to go with the thing that's forming in my head. A title defines the project somehow and if you keep finding the ramifications of the title in the work it becomes better, I'm convinced of this.
census inventing job locked narrator sequence straight talks third took volume wound york
I took a job with the U.S. Census Bureau. In The Locked Room, the third volume of the New York Trilogy, there's a sequence where the narrator talks about working for the census, and I took this straight from life. As in the book, I wound up inventing people. Kind of curious.
absolutely altogether crisis late money ran run stopped until wrote
In the mid-70s I wrote some plays, also, but it wasn't until the very late '70s when I ran into a real crisis on every level, personal, artistic, and I was absolutely broke, I'd run out of money and... hope, I guess, and I stopped writing altogether for awhile.