Orson Welles
Orson Welles
George Orson Welleswas an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar, a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the 1938 broadcast "The War of the Worlds", one of the most famous in the history of radio; and in film, Citizen Kane, consistently ranked as one of the all-time greatest films...
NationalityAmerican
ProfessionDirector
Date of Birth6 May 1915
CityKenosha, WI
CountryUnited States of America
I think an artist has always to be out of step with his time.
I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
Man is a rational animal who always loses his temper when called upon to act in accordance with the dictates of reason.
Computers combine things to make new knowledge at such high speed that we cannot absorb it.
A toast, Jedediah, to love on my terms. Those are the only terms anybody ever knows - his own.
When television came along, I'd already done more than 10 years of radio work and I thought everyone would want me. I sat around waiting for the phone to ring - and it didn't.
The ideal American type is perfectly expressed by the Protestant, individualist, anti-conformist, and this is the type that is in the process of disappearing. In reality there are few left.
I worry a lot about taking care of my dependents, all those perfectly ordinary middle-class preoccupations.
Now I'm an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
In my real movie-going days, which were the thirties, you didn't stand in line. You strolled down the street and sallied into the theater at any hour of the day or night.
In common with all Protestant or Jewish cultures, America was developed on the idea that your word is your bond. Otherwise, the frontier could never have been opened, 'cause it was lawless. A man's word had to mean something.
If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
I'm never certain of a performance - my own or the other actors' - or the script or anything... But to me it seems there's only one place in the world the camera can be, and the decision usually comes immediately.
Each multiplex has screens allocated to each studio. The screens need filling. Studios have to create product to fill their screen, and the amount of good product is limited.