Orson Welles

Orson Welles
George Orson Welleswas an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar, a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the 1938 broadcast "The War of the Worlds", one of the most famous in the history of radio; and in film, Citizen Kane, consistently ranked as one of the all-time greatest films...
NationalityAmerican
ProfessionDirector
Date of Birth6 May 1915
CityKenosha, WI
CountryUnited States of America
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
Husbands should revolt from time to time. Even the best circus-number becomes boring if the beast is too tame.
Every true artist must, in his own way, be a magician, a charlatan.
I discovered at the age of six that everything was a phony, worked with mirrors. Since then, I've always wanted to be a magician.
I don't want any description of me to be accurate; I want it to be flattering. I don't think people who have to sing for their supper ever like to be described truthfully - not in print anyway. We need to sell tickets, so we need good reviews.
If everyone worked with wide-angle lenses, I'd shoot all my films in 75mm, because I believe very strongly in the possibilities of the 75mm.
I love informality. I hate dressing up. I hate to be conventional - and I hate every kind of snob.
[The movies] make the sort of comment only a novel can make, an allusion to the world in which people live, the psychological and economic motivations, the influences of the period in which they lived.
I hate television. I hate it as much as peanuts. But I can't stop eating peanuts.
I'd make my promises now if I wasn't so busy arranging to keep them.
I'm a lurid character!
Today I believe that man cannot escape his destiny to create whatever it is we make - jazz, a wooden spoon, or graffiti on the wall. All of these are expressions of man's creativity, proof that man has not yet been destroyed by technology. But are we making things for the people of our epoch or repeating what has been done before? And finally, is the question itself important? We must ask ourselves that. The most important thing is always to doubt the importance of the question.
Make up an extra copy of that picture and send it to the Chronicle.
My definition of success is not having things thrown at me!