Orson Welles
Orson Welles
George Orson Welleswas an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar, a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the 1938 broadcast "The War of the Worlds", one of the most famous in the history of radio; and in film, Citizen Kane, consistently ranked as one of the all-time greatest films...
NationalityAmerican
ProfessionDirector
Date of Birth6 May 1915
CityKenosha, WI
CountryUnited States of America
Our works in stone, in paint, in print, are spared, some of them, for a few decades or a millennium or two, but everything must finally fall in war, or wear away into the ultimate and universal ash - the triumphs, the frauds, the treasures and the fakes. A fact of life: we're going to die. "Be of good heart," cry the dead artists out of the living past. "Our songs will all be silenced, but what of it? Go on singing." Maybe a man's name doesn't matter all that much.
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
Movie directing is a perfect refuge for the mediocre.
Working is part of life, I don't know how to distinguish between the two... Work is an expression of life.
I have always been more interested in experiment, than in accomplishment.
My kind of director is an actor-director who writes.
Never expect justice in this world. That is not part of God's plan. Everybody thinks that if they don't get it, they're some kind of odd man out. And it's not true. Nobody gets justice - people just get good luck or bad luck.
Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?
Ask not what you can do for your country. Ask what's for lunch.
I don't say we all ought to misbehave, but we ought to look as if we could.
I have an unfortunate personality.
I've never understood the cult of Hitchcock. Particularly the late American movies... Egotism and laziness. And they're all lit like television shows.
. . . you [film critics] always overstress the value of images. You judge films in the first place by their visual impact instead of looking for content. This is a great disservice to the cinema. It is like judging a novel only by the quality of its prose. I was guilty of the same sin when I first started writing for the cinema. . . . Now I feel that only the literary mind can help the movies out of that cul de sac into which they have been driven by mere technicians and artificers.
The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.