Nicole Krauss
Nicole Krauss
Nicole Krauss is an American author best known for her three novels Man Walks Into a Room, The History of Loveand Great House. Her fiction has been published in The New Yorker, Harper's, Esquire, and Granta's Best American Novelists Under 40, and has been collected in Best American Short Stories 2003 and Best American Short Stories 2008. Her novels have been translated into 35 languages. In 2010, she was selected as one of The New Yorker's "20 Under 40" writers...
NationalityAmerican
ProfessionAuthor
Date of Birth18 August 1974
CountryUnited States of America
children father mean
Once upon a time you were a fish. How do you know? Because I was also a fish. You, too? Sure. A long time ago. Anyway, being a fish, you knew how to swim. You were a great swimmer. A champion swimmer, you were. You loved the water. Why? What do you mean, why? Why did I love the water? Because it was your life! And as we talked, I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. Perhaps that is what it means to be a father-to teach your child to live without you.
mean littles today
The fact that you got a little happier today doesn't change the fact that you also became a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and saddest you've ever been in your whole life.
children father mean
Perhaps that is what it means to be a father-to teach your child to live without you.
children mean parent
. . . I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. And then I thought, perhaps that is what it means to be a [parent] - to teach your child to live without you.
mean healing literature
What is literature, really? Boiled down to a single sentence, I'd say it's this: an endless conversation about what it means to be human. And to read literature is to engage in that conversation.
bit driven felt figure needed published rather sad
Getting a book published made me feel a little bit sad. I felt driven by the need to write a book, rather than the need to write. I needed to figure out what was important to me as a writer.
real frustrated details
Don’t you see?” I said. “He could change every detail, but he couldn’t change her.” “But why?” His obtuseness frustrated me. “Because he was in love with her!” I said. “Because, to him, she was the only thing that was real.
husband stupid hands
("Let's stand under a tree," she said. "Why?" "Because it's nicer." "Maybe you should sit on a chair, and I'll stand above you, like they always do with husbands and wives." "That's stupid." "Why's it stupid?" "Because we're not married." "Should we hold hands?" "We can't." "But why?" "Because, people will know." "Know what?" "About us." "So what if they know?" "It's better when it's a secret." "Why?" "So no one can take it from us.")
phones embarrassed died
He died alone because he was too embarrassed to phone anyone.
book writing air
At times I believed that the last page of my book and the last page of my life were one and the same, that when my book ended I'd end, a great wind would sweep through my rooms carrying the pages away, and when the air cleared of all those fluttering white sheets the room would be silent, the chair where I sat empty.
justice waiting storm
No, what I felt was the torment of waiting, stuck between the end of one sentence and the beginning of the next which might or might not bring a hail storm, plane crash, poetic justice, or a miraculous reversal.
wish sitting way
When I was with Yoav, everything in me that had been sitting stood up. He had a way of looking at me with a kind of unabashed directness that made me shiver. It's something amazing to feel that for the first time someone is seeing you as you really are, not as they wish you, or you wish yourself, to be.
waiting tents patterns
We search for patterns, you see, only to find where the patterns break. And it’s there, in that fissure, that we pitch our tents and wait.
pain powerful emotion
There is a fallacy that the powerful emotion of youth mellows with time. Not true. One learns to control and suppress it. But it doesn't lessen. It simply hides and concentrates itself in more discreet places. When one accidentally stumbles into one of these abysses, the pain is spectacular.