Nicole Krauss

Nicole Krauss
Nicole Krauss is an American author best known for her three novels Man Walks Into a Room, The History of Loveand Great House. Her fiction has been published in The New Yorker, Harper's, Esquire, and Granta's Best American Novelists Under 40, and has been collected in Best American Short Stories 2003 and Best American Short Stories 2008. Her novels have been translated into 35 languages. In 2010, she was selected as one of The New Yorker's "20 Under 40" writers...
NationalityAmerican
ProfessionAuthor
Date of Birth18 August 1974
CountryUnited States of America
... as a rule of thumb, whenever there appears a plural, correct for a singular. Should I ever let slip a royal WE, put me out of my misery with a swift blow to the head.
I opened my mouth, but nothing came out. It took seven languages to make me; it would be nice if I could have spoken just one.
Sometimes I thought about nothing and sometimes I thought about my life. At least I made a living. What kind of living? A living. It wasn't easy. I found out how little is unbearable.
I finally understood that no matter what I did, or who I found, I-he-none of us-would ever be able to win over the memories she had of Dad, memories that soothed her even while they made her sad, because she'd built a world out of them she knew how to survive on even if no one else could.
At the end, all that's left of you are your possessions. Perhaps that's why I've never been able to throw anything away. Perhaps that's why I hoarded the world: with the hope that when I died, the sum total of my things would suggest a life larger than the one I lived.
He wondered if what he had taken for the richness of silence was really the poverty of never being heard [...]. How could he have forgotten what he had always known: there is no match for the silence of God.
And if the man who once upon a time had been a boy who promised he'd never fall in love with another girl as long as he lived kept his promise, it wasn't because he was stubborn or even loyal. He couldn't help it.
She was gone, and all that was left was the space you'd grown around her, like a tree that grows around a fence. For a long time, it remained hollow. Years, maybe. And when at last it was filled again, you knew that the new love you felt for a woman would have been impossible without Alma. If it weren't for her, there would never have been an empty space, or the need to fill it.
I know there is a moral to this story, but I don't know what it is.
...larger than life...I've never understood that expression. What's larger than life?
Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact.
Mom?" I said. She turned. "Can I talk to you about something?" "Of course, darling. Come here." I took a few steps into the room. There was so much I wanted to say. "I need you to be --" I said, and then I started to cry. "Be what?" she said, opening her arms. "Not sad," I said.
Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.
Then he almost but didn't say the two sentence he'd been meaning to say for years: part of me is made of glass, and also, I love you