Nicole Krauss

Nicole Krauss
Nicole Krauss is an American author best known for her three novels Man Walks Into a Room, The History of Loveand Great House. Her fiction has been published in The New Yorker, Harper's, Esquire, and Granta's Best American Novelists Under 40, and has been collected in Best American Short Stories 2003 and Best American Short Stories 2008. Her novels have been translated into 35 languages. In 2010, she was selected as one of The New Yorker's "20 Under 40" writers...
NationalityAmerican
ProfessionAuthor
Date of Birth18 August 1974
CountryUnited States of America
At night the sky is pure astronomy.
...after all, who isn't a survivor from the wreck of childhood?
...An average of seventy-four species become extinct every day, which was one good reason but not the only one to hold someone's hand...
One is always changing. I don't want to write the same book and I couldn't, because I'm a different person.
To touch and feel each thing in the world, to know it by sight and by name, and then to know it with your eyes closed so that when something is gone, it can be recognized by the shape of its absence. So that you can continue to possess the lost, because absence is the only constant thing. Because you can get free of everything except the space where things have been.
Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person's silence.
I like to think the world wasn't ready for me, but maybe the truth is that I wasn't ready for the world. I've always arrived too late for my life.
For me, the most powerful way to write about something is through the absence of it. Rather than writing about what it was to become a new mother, I wrote, for example, a father facing death and addressing his estranged son about the regrets of his relationship.
. . . I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. And then I thought, perhaps that is what it means to be a [parent] - to teach your child to live without you.
Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.
Only later did I come to understand that to be a mother is to be an illusion. No matter how vigilant, in the end a mother can't protect her child - not from pain, or horror, or the nightmare of violence, from sealed trains moving rapidly in the wrong direction, the depravity of strangers, trapdoors, abysses, fires, cars in the rain, from chance.
Life in general in my experience gets deeper and deeper, more and more profound, more and more complex, the older one gets.
What is literature, really? Boiled down to a single sentence, I'd say it's this: an endless conversation about what it means to be human. And to read literature is to engage in that conversation.
...we take comfort in the symmetries we find in life because they suggest a design where there is none.