Neil Gaiman
Neil Gaiman
Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. His notable works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The...
NationalityBritish
ProfessionNovelist
Date of Birth10 November 1960
CityPortchester, England
I'll find you. Don't worry. Just be on your own and I'll find you.
Do not lose hope — what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. (from 'Instructions')
The trouble with everything, these days, for me, is time. There is only one me. There are a ridiculous number of demands on my time. There are so many things I'm trying to do. It's so much more about when I'm going to get time to do it, if I get time.
Note for Americans and other aliens: Milton Keynes is a new city approximately halfway between London and Birmingham. It was built to be modern, efficient, healthy, and, all in all, a pleasant place to live. Many Britons find this amusing.
I think I’ll dismember the world and then I’ll dance in the wreckage.
There's a but, isn't there?" said Coraline. "I can feel it. Like a rain cloud.
I'm willing to make a fool out of myself in public. I'm also willing to make those mistakes that you're going to make the first time you go out, so hopefully the next time it will be better.
Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth...
Even nothing cannot last forever.
I love the auditioning process. I love working with the technical guys. I absolutely love the editing room. That was completely fascinating to me, working with an editor in crafting the thing into something you had in your head.
There was once a young man who wished to gain his Heart’s Desire.
Normally, in anything I do, I'm fairly miserable. I do it, and I get grumpy because there is a huge, vast gulf, this aching disparity, between the platonic ideal of the project that was living in my head, and the small, sad, wizened, shaking, squeaking thing that I actually produce.
I don't want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted just like that, and it didn't mean anything? What then?
I'd love to think that people in the future would gather in theatres, at conventions, and in darkened rooms, and read it out to each other.