Neil Gaiman
Neil Gaiman
Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. His notable works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The...
NationalityBritish
ProfessionNovelist
Date of Birth10 November 1960
CityPortchester, England
Fat Charlie wasn't sure that he liked freedom, ... There was too much open air involved.
A nice, easy place for freedom of speech to be eroded is comics, because comics are a natural target whenever an election comes up.
Freedom of speech gives you the right to stay silent.
Perhaps this is the ultimate freedom, eh, Dreamlord? The freedom to leave.
Because if you don't stand up for the stuff you don't like, when they come for the stuff you do like, you've already lost.
The current total of countries in the world with First Amendments is one. You have guaranteed freedom of speech. Other countries don't have that.
The best thing I think about me and Dave as a creative team is, we don't have to work together. We both have individual careers,
I'll come to you tonight, dear, when it's late, You will not see me; you may feel a chill. I'll wait until you sleep, then take my fill,And that will be your future on a plate.They'll call it chance, or luck, or call it Fate.
exists for him chiefly as a body in a sequence of hotel rooms.
When I started doing Sandman, I could look at a group of people lined up to get my autograph, and I knew who was my fan and who was somebody's mum there to get a signature. It doesn't work that way anymore. They're people. They're us. That's what they look like.
You are time. Foul time, who steals the gold from a maiden's hair and takes the sapphire from a child's eyes. Dark time, who has stolen from every thing there ever was all the things that it held precious and divine... And left nothing but ashes and memories and the grave.
Strategy number one is that I always, or almost always, have at least two or three different things that I'm writing at any one time.
Somebody would say, 'Can you do us an article about big, bodice-ripping, blockbusting romance novels?' And I'd say, 'Yes, of course,' because I was a hungry young journalist.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.