Max von Sydow
Max von Sydow
Max von Sydowis a Swedish actor who became a French citizen in 2002. He has appeared in many films, in many languages, including Swedish, Norwegian, Danish, German, English, French, Italian and Spanish. He received the Royal Foundation of Sweden's Cultural Award in 1954, was made a Commandeur des Arts et des Lettres in 2005, and was named a Chevalier de la Légion d'honneur on 17 October 2012...
NationalitySwedish
ProfessionMovie Actor
Date of Birth10 April 1929
CityLund, Sweden
CountrySweden
We should look back now and then. Our politicians should look back every now and then.
When I was brought up in Sweden, there was a great opportunity for young people to learn how to act in our municipal theaters with their small companies. You would be under contract for eight months and have the summer free to take other opportunities.
I admired Stephen Daldry very much; I think he's a brilliant director, and also, I feel close to him because he has a lot of theater behind him. He's also a man of great imagination and a lovely sense of humor.
Hiroshima has become a metaphor not just for nuclear war but for war and destruction and violence toward civilians. It's not just the idea we should not use nuclear arms. We should not start another war because it's madness.
When I know what the character I'm supposed to play wants in general terms, and when I know what did the other characters want to do, that's when all these wills collide and the emotions show up.
It was great to watch Orson Welles, not only as an actor but as a director.
It's not a matter of learning lines. It's a matter of getting into the ideas and the will of the person. It's a matter of, 'What does he want to do? What does he want to achieve?'
New York is a fascinating city. I think it's a very inspiring city, but it's overpowering when you get older. It tires me now. But it's wonderful for young people - very inspiring and full of surprises and full of ideas.
It often disturbs me, when I see a film set in a historical time, that the people are too modern.
You cannot study acting in books. Do it, do it, do it. And watch good actors. See what they are doing and how they are doing it. You have to practically participate, I think, in order to develop yourself.
Bergman was courageous in choosing people to do things that they themselves might not expect to play.
Between you and me, odd things happen always on set.
What is important, I think, is to reach as many people as you can and do it as well as you can. Reach them and inspire them or amuse them, or maybe in some odd moments help them to discover something they hadn't thought of before.
It's very difficult being an actor and being away for a lot of time, but my sons haven't complained too much too often.