Max von Sydow
Max von Sydow
Max von Sydowis a Swedish actor who became a French citizen in 2002. He has appeared in many films, in many languages, including Swedish, Norwegian, Danish, German, English, French, Italian and Spanish. He received the Royal Foundation of Sweden's Cultural Award in 1954, was made a Commandeur des Arts et des Lettres in 2005, and was named a Chevalier de la Légion d'honneur on 17 October 2012...
NationalitySwedish
ProfessionMovie Actor
Date of Birth10 April 1929
CityLund, Sweden
CountrySweden
Italians are great improvisers. If something unforeseen happens, they throw up their hands, and they adjust.
When I was brought up in Sweden, there was a great opportunity for young people to learn how to act in our municipal theaters with their small companies. You would be under contract for eight months and have the summer free to take other opportunities.
I admired Stephen Daldry very much; I think he's a brilliant director, and also, I feel close to him because he has a lot of theater behind him. He's also a man of great imagination and a lovely sense of humor.
It was great to watch Orson Welles, not only as an actor but as a director.
Mr. Bergman was a man of great working discipline. He forced everyone to concentrate when it was important. No disturbing noise during rehearsal. A code of silence.
Mr. Bergman had a great imagination and saw the possibilities within every one of his actors, and he gave us great challenges. It was very inspiring.
Ingmar Bergman had a great sense of humor, and he had a very special, characteristic laugh that you always recognized - if he went to watch a theater show, 'Ah! He is here tonight.'
There are casting directors with lots of imagination, but also some with not as much imagination.
There are those who want to believe but can't, and there are those who believe as children and it's no problem for them at all.
Most screenplays I receive are boring, and some are straight-out bad.
My parents were brought up in families which believed theatre people weren't to be trusted. But they were nice people.
I would like to do 'King Lear.' But I would like to do it in Swedish.
I would love to do parts I have never done before, but unfortunately, if you have had success in a particular type of character, the casting agents think, 'Oh! We'll have something exactly like that.' It's very boring.
Bergman has a very special eye for people. His background taught him to listen and to feel.