Mads Mikkelsen

Mads Mikkelsen
Mads Dittmann Mikkelsen; born 22 November 1965) is a Danish actor. Originally a gymnast and dancer, he began his career as an actor in 1996. He rose to fame in Denmark as Tonny the drug dealer in the first two films of the Pusher film trilogy, and in his role as the brash yet sensitive policeman, Allan Fischer, in Peter Thorsboe's Danish television series Rejseholdet...
NationalityDanish
ProfessionMovie Actor
Date of Birth22 November 1965
CityCopenhagen, Denmark
CountryDenmark
I've never been a big fan of making telepathy to the audience. That would be too much a wink in the eye. That would make people around me fools, right?
I fancy myself at being pretty good at understanding a script and finding the weaknesses, and then making them more radical than they are. People tend to listen to me.
If you have to be frightening, you need some actors around you to be really frightened. And if they're not frightened, you're not so frightening anymore. In the same way, people say, 'I think you come in, and you're really sexy'. But how do you play sexy? It depends on the eyes that are looking.
We have no chance to comprehend what goes on there - it's so dramatic, and people are so poor. We all felt bad about being there. Filming in India felt like we were going to borrow something knowing that we were never going to give it back.
A solid family, as they say. They join me on location if they have a chance, but I can also be home three or four months doing nothing, so I probably see my kids more than people who work constantly all year long. If that changes, we'll have to have a family meeting.
I'm terrified about psychic people who have their little shops. I always walk across the street and go somewhere else. Imagine if one of them came out with their face all pale and said, 'Hurry up and enjoy yourself.' No one wants to know that.
If people need to be informed by lines, then there's no reason why the actor is saying the line except for information for the audience; I think there's something wrong.
I don't necessarily prefer playing villains. I know a lot of people say they are more fun, but if the scriptwriter has done their work well, you can find something realistic in a villain and find the mistakes in a hero - it's all down to the writing.
I choose work with the people I like to work with.
I'm terrified about psychic people who have their little shops.
Machiavelli had some cold tricks for people who wanted to be demagogues and wanted to take over the world.
Everybody wants a big crowd. You get amazed sometimes with certain things that millions of people are watching and you go, "Serious?! Really?!" And then, there are things that you really, really enjoy and not a lot of people are watching. It's very, very hard to predict how it works.
I think 40 years ago, it would have been a little bit different because people had a tendency to think the actor was their part. I do find people who, all of a sudden, realize who is sitting in the restaurant and the first thing they react on is not necessarily, "There's that actor," but it's, "There's that killer guy."
I would have turned any offer down, if it had turned into a thriller. I would have seen no point in a thriller here. I don't need to entertain people, on top of what we were doing. It's not a question of whether he did it or not. I would have thought that was banal and uninteresting, and I wouldn't care. And it could have also turned into a shoot-out because there were a lot of guns in the film.