Mads Mikkelsen
Mads Mikkelsen
Mads Dittmann Mikkelsen; born 22 November 1965) is a Danish actor. Originally a gymnast and dancer, he began his career as an actor in 1996. He rose to fame in Denmark as Tonny the drug dealer in the first two films of the Pusher film trilogy, and in his role as the brash yet sensitive policeman, Allan Fischer, in Peter Thorsboe's Danish television series Rejseholdet...
NationalityDanish
ProfessionMovie Actor
Date of Birth22 November 1965
CityCopenhagen, Denmark
CountryDenmark
Everybody wants a big crowd. You get amazed sometimes with certain things that millions of people are watching and you go, "Serious?! Really?!" And then, there are things that you really, really enjoy and not a lot of people are watching. It's very, very hard to predict how it works.
I think 40 years ago, it would have been a little bit different because people had a tendency to think the actor was their part. I do find people who, all of a sudden, realize who is sitting in the restaurant and the first thing they react on is not necessarily, "There's that actor," but it's, "There's that killer guy."
I come from a culture where you don’t divide it up to what you can do on TV and what you can do on film,
Sometimes you have a period piece where you have to research around it but, if the writers have done their homework well enough, the information is all in the script.
Once you do one bad guy, usually all you get offered is bad guys.
If you're not bruised up, then you're not doing an action film in a real way.
I would have turned any offer down, if it had turned into a thriller. I would have seen no point in a thriller here. I don't need to entertain people, on top of what we were doing. It's not a question of whether he did it or not. I would have thought that was banal and uninteresting, and I wouldn't care. And it could have also turned into a shoot-out because there were a lot of guns in the film.
I'm not the kind of actor who runs around and insists on being called Stravinsky by everybody, and my family has to call me Igor. I'm not that kind of actor. I think that's pretentious.
If you spend a week at a casino you will very easily see that people have a certain way of behaving in a casino.
I have an enormous metabolism, so I'm lucky.
The physicality of any character is always split up into fast, slow, high energy, low energy, what kind of personality he has. So that's where the physicality comes in. And flying through the air is just something you have to do if they ask you.
Sometimes we misunderstand what films can do. We just throw a whole book in there, with people just talking, talking, and talking. The picture can tell, the frame can tell.
The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.
I ask a million questions, and I insist on having answers. I think that is what we have to do. I have to know what the director wants. Some are very much in their head, and I need to force it out of them. I just can't play around for eight hours and see if something happens.