Kate Atkinson
Kate Atkinson
Kate Atkinson, MBEis an award-winning English writer. She won the Whitbread Book of the Year prize in 1995 and, under its new name the Costa Book Awards, in 2013 and 2015 in the Novels category...
NationalityEnglish
ProfessionAuthor
failing felt led life lost second struck
It was failing part of my Ph.D. that led me into novel-writing. By then I was 29, had remarried and had a second baby. It struck me that I'd lost my path in life and I felt frustrated. That's when I started to write.
age fact good ideal life means partly quieter space takes talk time trying
I'm trying to take more nothing time - and that means sacrificing doing. It's partly to do with age, partly to do with the fact that writing takes up a lot of space in your head. My ideal is to go back to when I was a child. My life is quieter than it used to be. More and more I don't really want to talk to people. I'd make a good nun, actually.
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My work is not my life. I started writing quite late, I didn't have that 'writing is everything, my art is all.' You have to be able to recognise the difference between the two.
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Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics.
life people seize-the-day
If people believed in eternal damnation they might not be seizing the day quite so much.
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It wasn't that [he] believed in religion, or a God, or an afterlife. He just knew it was impossible to feel this much love and for it to end.
live-life hands people
What did you do when the worst thing that could happen to you had already happened - how did you live life then? You had to hand it to Theo Wyre, just carrying on living required a strength and courage that most people didn't have.
writing ties life-is
The great thing about writing compared to life is getting to tie things up.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
mine novel writer
A novel and its writer are inseparable: you are your books. A play's not like that at all. 'Abandonment's not mine - it's everyone's. I wanted it to be a co-operative thing because I was tired of that anal control that I have over novels.
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'Feminism' is such an incredibly awkward word for us these days, isn't it? Not to be feminist would be bizarre, wouldn't it?
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I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
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The legacy of the fairy story in my brain is that everything will work out. In fiction it would be very hard for me, as a writer, to give a bad ending to a good character, or give a good ending to a bad character. That's probably not a very postmodern thing to say.
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I usually start writing a novel that I then abandon. When I say abandon, I don't think any writer ever abandons anything that they regard as even a half-good sentence. So you recycle. I mean, I can hang on to a sentence for several years and then put it into a book that's completely different from the one it started in.