Kate Atkinson
Kate Atkinson
Kate Atkinson, MBEis an award-winning English writer. She won the Whitbread Book of the Year prize in 1995 and, under its new name the Costa Book Awards, in 2013 and 2015 in the Novels category...
NationalityEnglish
ProfessionAuthor
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The cult of the individual is killing us. I think Twitter signals the death of western civilisation, but people have been saying that since Demosthenes.
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But I, you know, if I could choose a period to go back to, I think I would like to live through the Blitz. 'Cause you do read so many accounts of people saying they're living their lives at such an intense pitch that it was a completely different way of living.
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If people believed in eternal damnation they might not be seizing the day quite so much.
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Most people muddled through events and only in retrospect realized their significance.
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What did you do when the worst thing that could happen to you had already happened - how did you live life then? You had to hand it to Theo Wyre, just carrying on living required a strength and courage that most people didn't have.
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Because I write fiction, I don't write autobiography, and to me they are very different things. The first-person narrative is a very intimate thing, but you are not addressing other people as 'I' - you are inhabiting that 'I.'
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It was failing part of my Ph.D. that led me into novel-writing. By then I was 29, had remarried and had a second baby. It struck me that I'd lost my path in life and I felt frustrated. That's when I started to write.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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A novel and its writer are inseparable: you are your books. A play's not like that at all. 'Abandonment's not mine - it's everyone's. I wanted it to be a co-operative thing because I was tired of that anal control that I have over novels.
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'Feminism' is such an incredibly awkward word for us these days, isn't it? Not to be feminist would be bizarre, wouldn't it?
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I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
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The legacy of the fairy story in my brain is that everything will work out. In fiction it would be very hard for me, as a writer, to give a bad ending to a good character, or give a good ending to a bad character. That's probably not a very postmodern thing to say.
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I'm trying to take more nothing time - and that means sacrificing doing. It's partly to do with age, partly to do with the fact that writing takes up a lot of space in your head. My ideal is to go back to when I was a child. My life is quieter than it used to be. More and more I don't really want to talk to people. I'd make a good nun, actually.
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I usually start writing a novel that I then abandon. When I say abandon, I don't think any writer ever abandons anything that they regard as even a half-good sentence. So you recycle. I mean, I can hang on to a sentence for several years and then put it into a book that's completely different from the one it started in.