Kate Atkinson
Kate Atkinson
Kate Atkinson, MBEis an award-winning English writer. She won the Whitbread Book of the Year prize in 1995 and, under its new name the Costa Book Awards, in 2013 and 2015 in the Novels category...
NationalityEnglish
ProfessionAuthor
failing felt led life lost second struck
It was failing part of my Ph.D. that led me into novel-writing. By then I was 29, had remarried and had a second baby. It struck me that I'd lost my path in life and I felt frustrated. That's when I started to write.
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Writing for me is quite a plastic form, a kind of mental sculpture, although that sounds weird. It acquires its character and its depth as it goes along.
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The cult of the individual is killing us. I think Twitter signals the death of western civilisation, but people have been saying that since Demosthenes.
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My work is not my life. I started writing quite late, I didn't have that 'writing is everything, my art is all.' You have to be able to recognise the difference between the two.
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Like many writers, I started by writing short stories. I needed to learn how to write and stories are the most practical way to do this, and less soul-destroying than working your way through a lengthy novel and then discovering it's rubbish.
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Life is a very orderly thing, but in fiction there is a huge liberation and freedom. I can do what I like. There's nothing that says I can't write a page of full stops. There is no 'should' involved, although you wouldn't know that from literary reviews and critics.
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I was an only child and grew up in York where my parents ran a surgical supplies shop. When I say I wish I had brothers and sisters, friends say it's not what it's cracked up to be, but I think it must be good to have someone who knew you from the beginning.
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I need to be very isolated to write, and unfortunately isolation is often quite difficult to find. My ideal writing environment would be a country house hotel in the middle of nowhere, with full room service.
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But I, you know, if I could choose a period to go back to, I think I would like to live through the Blitz. 'Cause you do read so many accounts of people saying they're living their lives at such an intense pitch that it was a completely different way of living.
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Because I've a track record of talking about books I never write, in Australia they think I'm about to write a book about Jane Austen. Something I said at some festival.
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When I started 'Case Histories,' the characters were all going to Antarctica on a cruise. The first part was called 'Embarkation.' It was supposed to be about everyone preparing to embark on the cruise, but it mushroomed into an entire book.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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A novel and its writer are inseparable: you are your books. A play's not like that at all. 'Abandonment's not mine - it's everyone's. I wanted it to be a co-operative thing because I was tired of that anal control that I have over novels.
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'Feminism' is such an incredibly awkward word for us these days, isn't it? Not to be feminist would be bizarre, wouldn't it?