Karl Wilhelm Friedrich Schlegel
Karl Wilhelm Friedrich Schlegel
Karl Wilhelm FriedrichSchlegel, usually cited as Friedrich Schlegel, was a German poet, literary critic, philosopher, philologist and Indologist. With his older brother, August Wilhelm Schlegel, he was one of the main figures of the Jena romantics. He was a zealous promoter of the Romantic movement and inspired Samuel Taylor Coleridge, Adam Mickiewicz and Kazimierz Brodziński. Schlegel was a pioneer in Indo-European studies, comparative linguistics, in what became known as Grimm's law, and morphological typology. As a young man he was...
NationalityGerman
ProfessionPoet
Date of Birth10 March 1772
CountryGermany
Karl Wilhelm Friedrich Schlegel quotes about
past artist soul
Through artists mankind becomes an individual, in that they unite the past and the future in the present. They are the higher organ of the soul, where the life spirits of entire external mankind meet and in which inner mankind first acts.
attitude greatness understanding
Whoever has not arrived at the clear insight that there might be greatness entirely outside his own sphere for which he has no understanding, whoever does not have at least a dim inkling in which area of the human spirit this greatness might be situated: he is within his own sphere either without genius, or he has not educated himself up to the point of the classical attitude.
nature art work
One mentions many artists who are actually art works of nature.
art reality personality
Those works whose ideal has not as much living reality and, as it were, personality as the beloved one or a friend had better remain unwritten. They would at least never become works of art.
god men thinking
We do not see God, but everywhere we see something divine; first and most typically in the center of a reasonable man, in the depth of a living human product. You can directly feel and think nature, the universe, but not the Godhead. Only the man among men can poetize and think divinely and live with religion...
philosophy religion moral
Religion and morals are symmetrically opposed, just like poetry and philosophy.
men humanity religion
Every relationship of man to the infinite is religion, namely of a man in the full abundance of his humanity. Whenever a mathematician calculates infinity, that, to be sure, is not religion. Infinity conceived in this abundance is the Godhead.
philosophy order religion
You wanted to destroy philosophy and poetry in order to make room for religion and morality which you misunderstood: but you wereable to destroy only yourself.
philosophical writing thoughtful
Most thoughts are only profiles of thoughts. They must be inverted and synthesized with their antipodes. Thus many philosophical writings become very interesting which would not have been so otherwise.
history important age
The French Revolution, Fichte's Theory of Knowledge, and Goethe's Wilhelm Meister are the three greatest tendencies of the age. Whoever takes offence at this combination, and whoever does not consider a revolution important unless it is blatant and palpable, has not yet risen to the lofty and broad vantage point of the history of mankind.
beautiful two history
The two basic maxims of the so-called historical criticism are the postulate of the common and the axiom of the ordinary. Postulate of the common: everything really great, good, and beautiful, is improbable, since it is extraordinary and therefore at least suspect. Axiom of the ordinary: our conditions and environment must have existed everywhere, for they are really so natural.
art philosophy philosophical
It is a thoughtless and immodest presumption to learn anything about art from philosophy. Some do begin as if they hoped to learnsomething new here, since philosophy cannot and should not do anything further than develop the given art experiences and the existing art concepts into a science, improve the views of art, and promote them with the help of a thoroughly scholarly art history, and produce that logical mood about these subjects too which unites absolute liberalism with absolute rigor.
writing past order
In order to be able to write well upon a subject, one must have ceased to be interested in it; the thought which is to be soberlyexpressed must already be entirely past and no longer be one's actual concern.
communication men artist
As long as the artist invents and is inspired, he remains in a constrained state of mind, at least for the purpose of communication. He then wants to say everything, which is the wrong tendency of young geniuses or the right prejudice of old bunglers. Thus, he fails to recognize the value and dignity of self-restraint, which is indeed for both the artist and the man the first and the last, the most necessary and the highest goal.