Karl Wilhelm Friedrich Schlegel

Karl Wilhelm Friedrich Schlegel
Karl Wilhelm FriedrichSchlegel, usually cited as Friedrich Schlegel, was a German poet, literary critic, philosopher, philologist and Indologist. With his older brother, August Wilhelm Schlegel, he was one of the main figures of the Jena romantics. He was a zealous promoter of the Romantic movement and inspired Samuel Taylor Coleridge, Adam Mickiewicz and Kazimierz Brodziński. Schlegel was a pioneer in Indo-European studies, comparative linguistics, in what became known as Grimm's law, and morphological typology. As a young man he was...
NationalityGerman
ProfessionPoet
Date of Birth10 March 1772
CountryGermany
Karl Wilhelm Friedrich Schlegel quotes about
Only he who possesses a personal religion, an original view of infinity, can be an artist.
All artists are self-sacrificing human beings, and to become an artist is nothing but to devote oneself to the subterranean gods.
In many a poetic work, one gets here and there, instead of representation merely a title indicating that this or that was supposedto be represented here, that the artist has been prevented from doing it and most humbly asks to be kindly excused.
The life of the artist should be distinguished from that of all other people, even in external habits. They are Brahmins, a highercaste, not ennobled by birth, however, but by deliberate self-initiation.
Through artists mankind becomes an individual, in that they unite the past and the future in the present. They are the higher organ of the soul, where the life spirits of entire external mankind meet and in which inner mankind first acts.
As long as the artist invents and is inspired, he remains in a constrained state of mind, at least for the purpose of communication. He then wants to say everything, which is the wrong tendency of young geniuses or the right prejudice of old bunglers. Thus, he fails to recognize the value and dignity of self-restraint, which is indeed for both the artist and the man the first and the last, the most necessary and the highest goal.
Even a friendly conversation which cannot be at any given moment be broken off voluntarily with complete arbitrariness has something illiberal about it. An artist, however, who is able and wants to express himself completely, who keeps nothing to himself and would wish to say everything he knows, is very much to be pitied.
Can we expect the redemption of the world from scholars? I doubt it. But the time has come for all artists to join together as a confederation in an eternal league.
All men are somewhat ridiculous and grotesque, just because they are men; and in this respect artists might well be regarded as man multiplied by two. So it is, was, and shall be.
An artist is he for whom the goal and center of life is to form his mind
An artist is he who has his center within himself. He who lacks this must choose a particular leader and mediator outside of himself, not forever, however, but only at first. For man cannot exist without a living center, and if he does not have it within himself, he may seek it only in a human being. Only a human being and his center can stimulate and awaken that of another.
Religion can emerge in all forms of feeling: here wild anger, there the sweetest pain; here consuming hatred, there the childlike smile of serene humility.
If the essence of cynicism consists in preferring nature to art, virtue to beauty and science; in not bothering about the letter of things -- to which the Stoic strictly adheres -- but in looking up to the spirit of things; in absolute contempt of all economic values and political splendor, and in courageous defence of the rights of independent freedom; then Christianity would be nothing but universal cynicism.
What men are among the other formations of the earth, artists are among men.