John Ruskin

John Ruskin
John Ruskinwas the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded...
NationalityEnglish
ProfessionWriter
Date of Birth8 February 1819
Everything that you can see in the world around you presents itself to your eyes only as an arrangement of patches of different colors.
Depend upon it, the first universal characteristic of all great art is Tenderness, as the second is Truth. I find this more and more every day: an infinitude of tenderness is the chief gift and inheritance of all the truly great men. It is sure to involve a relative intensity of disdain towards base things, and an appearance of sternness and arrogance in the eyes of all hard, stupid, and vulgar people
In health of mind and body, men should see with their own eyes, hear and speak without trumpets, walk on their feet, not on wheels, and work and war with their arms, not with engine-beams, nor rifles warranted to kill twenty men at a shot before you can see them.
The eye is continually influenced by what it cannot detect; nay, it is not going too far, to say that it is most influenced by what it detects least. Let the painter define, if he can, the variations of lines on which depend the change of expression in the human countenance.
The word "Blue" does not mean the sensation caused by a gentian on the human eye; but it means the power of producing that sensation: and this power is always there, in the thing, whether we are there to experience it or not, and would remain there though there were not a man left on the face of the earth.
It is impossible to tell you the perfect sweetness of the lips and closed eyes, nor the solemnity of the seal of death which is set upon the whole figure. It is, in every way, perfect--truth itself, but truth selected with inconceivable refinement of feeling.
It is only the basest writer who cannot speak of the sea without talking of "raging waves," "remorseless floods," "ravenous billows," etc.; and it is one of the signs of the highest power in a writer to check all such habits of thought, and to keep his eyes fixed firmly on the pure fact , out of which if any feeling comes to him or his reader, he knows it must be a true one.
You do not see with the lens of the eye. You seen through that, and by means of that, but you see with the soul of the eye.
All men who have sense and feeling are being continually helped; they are taught by every person they meet, and enriched by everything that falls in their way. The greatest, is he who has been oftenest aided. Originality is the observing eye.
It is impossible, as impossible as to raise the dead, to restore anything that has ever been great or beautiful in architecture. That which I have insisted upon as the life of the whole, that spirit which is given only by the hand and eye of the workman, can never be recalled.
There is in every animal's eye a dim image and gleam of humanity, a flash of strange light through which their life looks out and up to our great mystery of command over them, and claims the fellowship of the creature if not of the soul.
The purest and most thoughtful minds are those which love color the most.
The secret of language is the secret of sympathy and its full charm is possible only to the gentle.
Reverence is the chief joy and power of life - reverence for that which is pure and bright in youth; for what is true and tried in age; for all that is gracious among the living, great among the dead, - and marvelous in the powers that cannot die