John Ruskin
John Ruskin
John Ruskinwas the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded...
NationalityEnglish
ProfessionWriter
Date of Birth8 February 1819
talk thousands
Hundreds can talk to one who can think; thousands can think to one who can see
agony ant blade elephant grass honey humble mighty pain sharp sweetness tastes underneath
Be humble as the blade of grass that is being trodden underneath the feet. The little ant tastes joyously the sweetness of honey and sugar. The mighty elephant trembles in pain under the agony of sharp goad.
bad cheerfulness color either habits habitual heart life man natural severe strong wherever
Cheerfulness is as natural to the heart of a man in strong health, as color to his cheek; and wherever there is habitual gloom, there must be either bad air, unwholesome food, improperly severe labor, or erring habits of life
fear heart persuasion tongue truth
He that has truth in his heart need never fear the want of persuasion on his tongue
people trying moments
At every moment of our lives we should be trying to find out, not in what we differ with other people, but in what we agree with them.
time long giving
It is eminently a weariable faculty, eminently delicate, and incapable of bearing fatigue; so that if we give it too many objects at a time to employ itself upon, or very grand ones for a long time together, it fails under the effort, becomes jaded, exactly as the limbs do by bodily fatigue, and incapable of answering any farther appeal till it has had rest.
time thinking feelings
Do not think it wasted time to submit yourself to any influence that will bring upon you any noble feeling.
life three-things circumstances
It is advisable that a person know at least three things, where they are, where they are going, and what they had best do under the circumstances.
nature light roots
My entire delight was in observing without being myself noticed,- if I could have been invisible, all the better. . . to be in the midst of it, and rejoice and wonder at it, and help it if I could, - happier if it needed no help of mine, - this was the essential love of Nature in me, this the root of all that I have usefully become, and the light of all that I have rightly learned.
nature art mean
Nature is always mysterious and secret in her use of means; and art is always likest her when it is most inexplicable.
beautiful appreciation nature
Though nature is constantly beautiful, she does not exhibit her highest powers of beauty constantly, for then they would satiate us and pall upon our senses. It is necessary to their appreciation that they should be rarely shown. Her finest touches are things which must be watched for; her most perfect passages of beauty are the most evanescent.
life men broken
It is not, truly speaking, the labour that is divided; but the men: divided into mere segments of men - broken into small fragments and crumbs of life, so that all the little piece of intelligence that is left in a man is not enough to make a pin, or a nail, but exhausts itself in making the point of a pin or the head of a nail.
clever men giving
Though you may have known clever men who were indolent, you never knew a great man who was so; and when I hear a young man spoken of as giving promise of great genius, the first question I ask about him always is, Does he work?
beautiful race hands
Being thus prepared for us in all ways, and made beautiful, and good for food, and for building, and for instruments of our hands, this race of plants, deserving boundless affection and admiration from us, becomes, in proportion to their obtaining it, a nearly perfect test of our being in right temper of mind and way of life; so that no one can be far wrong in either who loves trees enough, and everyone is assuredly wrong in both who does not love them, if his life has brought them in his way.