John Ruskin
John Ruskin
John Ruskinwas the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded...
NationalityEnglish
ProfessionWriter
Date of Birth8 February 1819
It is excellent discipline for an author to feel that he must say all he has to say in the fewest possible words, or his reader is sure to skip them; and in the plainest possible words, or his reader will certainly misunderstand them. Generally, also, a downright fact may be told in a plain way; and we want downright facts at present more than anything else.
The enormous influence of novelty--the way in which it quickens observations, sharpens sensations, and exalts sentiment--is not half enough taken note of by us, and is to me a very sorrowful matter. And yet, if we try to obtain perpetual change, change itself will become monotonous.
Order and system are nobler things than power.
Race is precisely of as much consequence in man as it is in any animal.
What is in reality cowardice and faithlessness, we call charity, and consider it the part of benevolence sometimes to forgive men's evil practice for the sake of their accurate faith, and sometimes to forgive their confessed heresy for the sake of their admirable practice.
It is a matter of the simplest demonstration, that no man can be really appreciated but by his equal or superior.
It is not the church we want, but the sacrifice; not the emotion of admiration, but the act of adoration; not the gift, but the giving.
Humanity and Immortality consist neither in reason, nor in love; not in the body, nor in the animation of the heart of it, nor in the thoughts and stirrings of the brain of it;--but in the dedication of them all to Him who will raise them up at the last day.
To yield reverence to another, to hold ourselves and our lives at his disposal, is not slavery; often, it is the noblest state in which a man can live in this world.
As unity demanded for its expression what at first might have seemed its opposite--variety; so repose demands for its expression the implied capability of its opposite--energy. It is the most unfailing test of beauty; nothing can be ignoble that possesses it, nothing right that has it not.
We must note carefully what distinction there is between a healthy and a diseased love of change; for as it was in healthy love of change that the Gothic architecture rose, it was partly in consequence of diseased love of change that it was destroyed.
The art of nations is to be accumulative, just as science and history are; the work of living men not superseding, but building itself upon the work of the past.
To cultivate sympathy you must be among living creatures, and thinking about them; and to cultivate admiration, you must be among beautiful things and looking at them.
All really great pictures exhibit the general habits of nature, manifested in some peculiar, rare, and beautiful way.