John Ruskin

John Ruskin
John Ruskinwas the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded...
NationalityEnglish
ProfessionWriter
Date of Birth8 February 1819
Our purity of taste is best tested by its universality, for if we can only admire this thing or that, we maybe use that our cause for liking is of a finite and false nature.
Absolute ugliness is admitted as rarely as perfect beauty; but degrees of it more or less distinct are associated with whatever has the nature of death and sin, just as beauty is associated with what has the nature of virtue and of life.
Such help as we can give to each other in this world is a debt to each other; and the man who perceives a superiority or a capacity in a subordinate, and neither confesses nor assists it, is not merely the withholder of kindness, but the committer of injury.
If you want to work for the kingdom of God, and to bring it, and enter into it, there is just one condition to be first accepted. You must enter into it as children, or not at all.
In painting as in eloquence, the greater your strength, the quieter your manner.
All true opinions are living, and show their life by being capable of nourishment; therefore of change. But their change is that of a tree not of a cloud.
Commerce is the agency by which the power of choice is obtained.
The word "Blue" does not mean the sensation caused by a gentian on the human eye; but it means the power of producing that sensation: and this power is always there, in the thing, whether we are there to experience it or not, and would remain there though there were not a man left on the face of the earth.
How false is the conception, how frantic the pursuit, of that treacherous phantom which men call Liberty.
No small misery is caused by overworked and unhappy people, in the dark views which they necessarily take up themselves, and force upon others, of work itself.
Engraving then, is, in brief terms, the Art of Scratch.
The great cry that rises from our manufacturing cities, louder than their furnace blast, is all in very deed for this, that we manufacture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never enters into our estimate of advantages.
So long as we see the stones and joints, and are not deceived as to the points of support in any piece of architecture, we may rather praise than regret the dexterous artifices which compel us to feel as if there were fibre in its shafts and life in its branches.
Curiosity is a gift, a capacity of pleasure in knowing, which if you destroy, you make yourself cold and dull.