John Ridley
John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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So, is Hollywood anti-religion? Not in my opinion. But unlike, say, politicians and preachers who talk faith before going off to speak in tongues to their mistresses, Hollywood just doesn't wear its faith on its sleeve.
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I like animals. I like people who like animals. I hate people who love animals to the point they lose their sense of reason. I'm talking the 'my computer wallpaper is my dog,' 'I hang a Christmas stocking for my cat' crowd.
thinking talking intellectual
We see films all the time, whether they have access to all kinds of intellectual property or artifacts, and the one thing that they don't get is story. So I think whether you're talking about a biopic or an action film or a science-fiction film that has all the CGI in the world, if you're not trying to connect with an audience, it doesn't really matter.
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The first Barbershop kicked the door open and said, 'Look, we're going to talk about whatever we want to talk about.' I think the responsible thing we have to do, even though it's a comedy, even though we have a lot of fun, and even though in someway we are a little more absurdist than the movies, is to recognize that just to bring up a topic for the sake of bringing it up is not enough,
european
I've never been much of a European traveler. London once on a book tour, and Italy because that's where Ferraris are from. That's about it.
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Reactionary conservatives are smiling through the racial apocalypse. To them, race baiting is a joke, as 'humorist' Rush Limbaugh will tell you when he's calling Mexicans 'stupid.' Or it's a matter of semantics when they claim that Sonia Sotomayor is a 'racialist' which, far as I can tell, is the smooth jazz version of being a racist.
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Even I haven't downed enough L.A. Kool-Aid to believe that somehow Hollywood movies are an overt instrument of morality.
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Conservative talkers love to throw numbers around: their ratings and their audience size. And to be sure, they have a sizable audience which numbers in the tens of millions. But having people tune in and being able to dictate their actions are two different things.
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There's no disputing that for pols, the Internet is a great way to connect with people and raise some cash and post 'Sopranos' parodies or play your opponent's macaca moments. But in a 'net root' sense, it's pretty useless for getting someone elected.
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I still have my first 'Black Lightning' that I got way back in the day, and my first 'Steel.' And I proudly display those comics, by the way. I have a lot of comics, but those are among the ones that mean the most to me.
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It does no good to believe in what does not exist to the point one cannot focus on what is real. That would be the greatest tragedy of any 'conspiracy.'
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White folks, no matter how well-meaning or open-minded, have no true idea what it's like to be black in America. That's not a slam against white people or an accusation of latent bigotry. But the fact is that we all live in an Anglo-dominated society.
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If art is singular expression, then by nature, the best art is controversial. But when art stirs debate for reasons besides its artistic integrity, that's when things get bent.
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I don't want an underachiever working on my car's transmission. Why would I want someone regular sitting in the Oval Office? Sorry, give me somebody who has demonstrated a capacity to excel.