John Ridley

John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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To this day, the only argument against Obama that critics can seem to come up with involves admitting he's better than them - though they certainly season it with some racism. You know, he's that lucky black man who actually appeals to the populace. He's that elitist who got himself off food stamps and into Harvard.
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As an ex-stand up, I can tell you that a comedy club isn't a place you go looking to get the abuse you just can't seem to find in daily life. The stage is a performer's domain. You protect that domain. You are not on stage to take what's given just 'cause you're getting paid. If you are attacked, you retaliate.
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Republicans can be a funny bunch. They're against affirmative action, but they always seem to be able to find people of color to fill a slot just when they're most needed.
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Not only does Hollywood make money - it seems to make better movies during recessions. I'm sure a lot of studio executives wish we could have one every year.
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I've never been much of a European traveler. London once on a book tour, and Italy because that's where Ferraris are from. That's about it.
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Reactionary conservatives are smiling through the racial apocalypse. To them, race baiting is a joke, as 'humorist' Rush Limbaugh will tell you when he's calling Mexicans 'stupid.' Or it's a matter of semantics when they claim that Sonia Sotomayor is a 'racialist' which, far as I can tell, is the smooth jazz version of being a racist.
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Even I haven't downed enough L.A. Kool-Aid to believe that somehow Hollywood movies are an overt instrument of morality.
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Conservative talkers love to throw numbers around: their ratings and their audience size. And to be sure, they have a sizable audience which numbers in the tens of millions. But having people tune in and being able to dictate their actions are two different things.
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There's no disputing that for pols, the Internet is a great way to connect with people and raise some cash and post 'Sopranos' parodies or play your opponent's macaca moments. But in a 'net root' sense, it's pretty useless for getting someone elected.
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I still have my first 'Black Lightning' that I got way back in the day, and my first 'Steel.' And I proudly display those comics, by the way. I have a lot of comics, but those are among the ones that mean the most to me.
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It does no good to believe in what does not exist to the point one cannot focus on what is real. That would be the greatest tragedy of any 'conspiracy.'
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White folks, no matter how well-meaning or open-minded, have no true idea what it's like to be black in America. That's not a slam against white people or an accusation of latent bigotry. But the fact is that we all live in an Anglo-dominated society.
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If art is singular expression, then by nature, the best art is controversial. But when art stirs debate for reasons besides its artistic integrity, that's when things get bent.
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I don't want an underachiever working on my car's transmission. Why would I want someone regular sitting in the Oval Office? Sorry, give me somebody who has demonstrated a capacity to excel.