John Ridley

John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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From the moment we were first dumped in Jamestown and had our teeth checked before getting sold off and later considered three-fifths of a human being, an abundance of 'likability' hasn't been something blacks have had to stockpile. Instead, it's been a centuries-long battle for respectability.
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Certainly as a kid, I grew up with Batman, Superman, whoever - they didn't need to be black for me to relate to them. But when a character like Cyborg came along, I got excited, because he looked a little bit more like me; his experiences were a little bit more like mine.
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Why don't we hear more about and from Asians when it comes to race in America? Are Asians the new Invisible Man - there but not there? In some ways, yeah. Blacks and whites are always carping about the metrics of racism. And any conversation about immigration reform is immediately flipped into a referendum on Hispanics.
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There remains a degree of anti-black intellectualism in entertainment. Middle and upper-middle class blacks have often been portrayed as buffoons in popular culture; witness the characters of Carlton Banks on 'The Fresh Prince of Bel-Air' and Braxton P. Hartnabrig on 'The Jamie Foxx Show.'
achievement individuality black
It is time to celebrate the New Black Americans - those who have sealed the Deal, who aren't beholden to liberal indulgence any more than they are to the disdain of the hard Right. It is time to praise blacks who are merely undeniable in their individuality and exemplary in their levels of achievement .
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I can tell you from personal experience it gets a little tiring having to make the rounds on cable shows to explain 'what's up with black folks.'
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'The Martin Show,' the 'Jamie Foxx show,' 'Living Single,' 'The Wayans Brothers,' 'Hanging with Mr. Cooper...' Some of these shows were good, some were typical television, but they facilitated a lot of work for blacks in front of as well as behind the camera. A lot of us in Hollywood thought it was the beginning of a real racial breakthrough.
european
I've never been much of a European traveler. London once on a book tour, and Italy because that's where Ferraris are from. That's about it.
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Reactionary conservatives are smiling through the racial apocalypse. To them, race baiting is a joke, as 'humorist' Rush Limbaugh will tell you when he's calling Mexicans 'stupid.' Or it's a matter of semantics when they claim that Sonia Sotomayor is a 'racialist' which, far as I can tell, is the smooth jazz version of being a racist.
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Even I haven't downed enough L.A. Kool-Aid to believe that somehow Hollywood movies are an overt instrument of morality.
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Conservative talkers love to throw numbers around: their ratings and their audience size. And to be sure, they have a sizable audience which numbers in the tens of millions. But having people tune in and being able to dictate their actions are two different things.
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There's no disputing that for pols, the Internet is a great way to connect with people and raise some cash and post 'Sopranos' parodies or play your opponent's macaca moments. But in a 'net root' sense, it's pretty useless for getting someone elected.
among display proudly
I still have my first 'Black Lightning' that I got way back in the day, and my first 'Steel.' And I proudly display those comics, by the way. I have a lot of comics, but those are among the ones that mean the most to me.
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It does no good to believe in what does not exist to the point one cannot focus on what is real. That would be the greatest tragedy of any 'conspiracy.'