Joe Swanberg
Joe Swanberg
Joe Swanbergis an American independent film director, producer, writer, and actor. Known for micro-budget films which make extensive use of improvisation, Swanberg is considered a major figure in the mumblecore film movement. His films often focus on relationships, sex, technology, and the filmmaking process...
NationalityAmerican
ProfessionActor
Date of Birth31 August 1981
CountryUnited States of America
people trying actors
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
trying really-weird ifs
My directing is really weird. Everything is based on whether it's working or not. I don't try to fix something if it's not working, I'll just change it.
trying helpful feels
I'm interested in taking things from my relationship that I don't see on screen - or that I feel like that could be useful or helpful if it were out in the open - and trying to put that in the movies as much as possible.
people trying want
I want to communicate with people, and I want to make something that works, and that people like. I'm never purposefully trying to be antagonistic or shocking or anything that would push an audience away. I'm always hoping to reach as many people as I can.
letting-go thinking trying
I think I'll try to keep working in film for a little bit. There's something still kind of magical about it, that I don't want to let go of.
trying actors gaps
It's really easy to finish a movie and sort of immediately dive into the next one, because I love working with actors so much and being on set, my inclination is to try to get back to that as soon as possible. There's just never much of a gap.
build characters dynamic figuring relationship sort trying
In the pre-production process, I am emailing with the actors or jumping on the phone, and we're sort of figuring out who the characters are and trying to build the relationship dynamic and things like that. Then, also, I am outlining.
people rein
I'm a pretty hands-off director. I let people try things, and if it gets over-jokey, then I'll try and rein it in a little bit.
difficult exactly feelings five happen romantic
It's very difficult to have any kind of romantic feelings for a movie where you know exactly what's going to happen in the first five minutes.
art involved roles whether
I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer.
bets bit cast chemistry elements gut low people side sort sure trust various
On a really big budget movie you do chemistry reads, and you sort of hedge your bets a little bit more and make sure that these people get along. But on the low budget side of things, I have to trust my gut that when I cast these people, the various elements are going to play together.
hate people being-there
The more that I work with people that I don't know, the more I invite somebody in who's potentially going to really hate being there.
thinking littles adults
I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.
thinking use levels
There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.