Joe Swanberg

Joe Swanberg
Joe Swanbergis an American independent film director, producer, writer, and actor. Known for micro-budget films which make extensive use of improvisation, Swanberg is considered a major figure in the mumblecore film movement. His films often focus on relationships, sex, technology, and the filmmaking process...
NationalityAmerican
ProfessionActor
Date of Birth31 August 1981
CountryUnited States of America
people rein
I'm a pretty hands-off director. I let people try things, and if it gets over-jokey, then I'll try and rein it in a little bit.
bets bit cast chemistry elements gut low people side sort sure trust various
On a really big budget movie you do chemistry reads, and you sort of hedge your bets a little bit more and make sure that these people get along. But on the low budget side of things, I have to trust my gut that when I cast these people, the various elements are going to play together.
hate people being-there
The more that I work with people that I don't know, the more I invite somebody in who's potentially going to really hate being there.
people trying actors
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
thinking people different
We're looking for a certain kind of realism or naturalism, and we go about it in different ways, but I think we're all striving for the same end result, which is to capture the patterns of conversations and how people interact in a very realistic way.
communication thinking people
I think in general I personally have a tendency to protect other people's feelings, and I've noticed that becomes a major hindrance to communication. It's better to just be honest, even if it's painful.
two people looks
Rather than look at a marriage as two people morphing into one thing, you could see two individuals who are choosing to form a partnership.
people trying want
I want to communicate with people, and I want to make something that works, and that people like. I'm never purposefully trying to be antagonistic or shocking or anything that would push an audience away. I'm always hoping to reach as many people as I can.
thinking people details
During improvisations, I'll hear people bringing back up details from something I heard about at breakfast or something somebody was saying that they were thinking about, and it informs a rewriting of a scene.
writing people world
There are people I'm drawn to that you just can't do a tiny, no-budget movie with. I would like to pursue some of that stuff, to see if I could do a movie with some of those people. And I don't really write scripts myself, but if I read a script I thought was really great, I would totally be up for doing a more traditional movie. It's just that I don't exist in that world. right now.
thinking people community
The really cool thing is all about being able to take your movie around and show it. It puts you in direct contact with people who are like-minded and interested in similar things. I think the film festival circuit has certainly helped to foster the community.
difficult exactly feelings five happen romantic
It's very difficult to have any kind of romantic feelings for a movie where you know exactly what's going to happen in the first five minutes.
art involved roles whether
I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer.
thinking littles adults
I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.