Joe Swanberg
Joe Swanberg
Joe Swanbergis an American independent film director, producer, writer, and actor. Known for micro-budget films which make extensive use of improvisation, Swanberg is considered a major figure in the mumblecore film movement. His films often focus on relationships, sex, technology, and the filmmaking process...
NationalityAmerican
ProfessionActor
Date of Birth31 August 1981
CountryUnited States of America
nice missing independence
There's something really nice about missing the person you're with. To have someone be apart enough to force independence and to also look forward to seeing that person.
people rein
I'm a pretty hands-off director. I let people try things, and if it gets over-jokey, then I'll try and rein it in a little bit.
difficult exactly feelings five happen romantic
It's very difficult to have any kind of romantic feelings for a movie where you know exactly what's going to happen in the first five minutes.
art involved roles whether
I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer.
bets bit cast chemistry elements gut low people side sort sure trust various
On a really big budget movie you do chemistry reads, and you sort of hedge your bets a little bit more and make sure that these people get along. But on the low budget side of things, I have to trust my gut that when I cast these people, the various elements are going to play together.
hate people being-there
The more that I work with people that I don't know, the more I invite somebody in who's potentially going to really hate being there.
thinking littles adults
I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.
people trying actors
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
trying really-weird ifs
My directing is really weird. Everything is based on whether it's working or not. I don't try to fix something if it's not working, I'll just change it.
thinking use levels
There are different levels of scripting that we all use; I think I'm the most improvised of the three, and probably Andrew's the most written. But all of that is in pursuit of similar things, and I think that we kind of recognize that in each other.
thinking people different
We're looking for a certain kind of realism or naturalism, and we go about it in different ways, but I think we're all striving for the same end result, which is to capture the patterns of conversations and how people interact in a very realistic way.
country jobs couple
[Having bigger budget] allowed me to be a full-time filmmaker for a couple months and not have to have a day job and be balancing a bunch of other stuff. It allowed me to bring in all these people from different parts of the country. It allows me to have an actual food budget, where we could eat healthy for the month we were shooting. It makes all the difference in the world.
communication thinking people
I think in general I personally have a tendency to protect other people's feelings, and I've noticed that becomes a major hindrance to communication. It's better to just be honest, even if it's painful.
thinking knowing space
For a lot of people, you get cramped making decisions together and living together and every other thing that starts to happen. I just think you have to be vigilant in the relationship to carve out space for yourself. And a lot of that requires knowing what you need and communicating that to your partner, which is hard.