Jess Walter
Jess Walter
Jess Walteris an American author of six novels, a collection of short stories, and a non-fiction book. His books have been published in twenty-six countries and translated into twenty-eight languages. He is the recipient of the Edgar Allan Poe Award, among others, and was a finalist for the National Book Award in 2006...
NationalityAmerican
ProfessionAuthor
Date of Birth20 July 1965
CountryUnited States of America
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I don't know that any writing comes easily, but I certainly get more immersed in novels. I don't think the routine is any different, but fiction tends to pull me further away from my life. When I'm deep in a novel, I don't pay bills and I walk around in one shoe, drinking two-day old coffee, and calling my kids by the wrong names.
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With Facebook and Twitter, we're all our own little publicists in a way.
I've been simultaneously drawn to and repelled from Hollywood for years.
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People sometimes ask who I would cast in my books and I never have any idea. I don't think I could ever write a book thinking of it as a movie the whole time. This would be like building a house and filling it with furniture just so you could have blueprints.
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I teach in M.F.A. programs now, and I think that's a great way to become a novelist, but I mourn that Pete Dexter and Joan Didion's route is maybe less likely because there are fewer of those jobs. I always liken it to playing piano in some great dive jazz bar. You didn't pick the songs, you played what people asked for, but you got your chops.
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I think I would explode in flames of irony if I were to option an idea that I was satirizing in a novel.
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Let's get right to it: On page 5 of Paul Murray's dazzling new novel, 'Skippy Dies,'... Skippy dies. If killing your protagonist with more than 600 pages to go sounds audacious, it's nothing compared with the literary feats Murray pulls off in this hilarious, moving and wise book.
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My first book, about Ruby Ridge, was made into a miniseries on CBS in 1996, and since then, I've dabbled in Hollywood, pitched a few things, sold a couple of screenplays and a pilot that I wrote with a buddy from Spokane, flirted with seeing 'Citizen Vince' as a film, and most recently, adapted 'The Financial Lives of the Poets' as a script.
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My cure for writer's block is to step away from the thing I'm stuck on, usually a novel, and write something totally different. Besides fiction, I write poetry, screenplays, essays and journalism. It's usually not the writing itself that I'm stuck on, but thing I'm trying to write. So I often have four or five things going at once.
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My desk is an antique with bookshelves built into the side. I've turned the drawer over to hold a keyboard. We live in a 100-year-old house, and I work in an apartment above the carriage house.
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Without sounding overly sentimental about the process, I'd say trying to describe how you tend to conceive of a book is like describing how you tend to fall in love.
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Forget being 'discovered.' All you can do is write. If you write well enough, and are stubborn enough to embrace failure, and if you happen to fall into the narrow categories that the book market recognizes, then you might make a little money. Otherwise, it's a struggle. A gorgeous struggle.
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The war in Iraq, the abuse of detainees, electronic eavesdropping, Guantanamo Bay - these things were all done on our behalf and they may turn out in the end to have created more terrorists.
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There are some people whose Twitter feeds are works of art. They intuitively understand how much of themselves to put out there.