Jess Walter
Jess Walter
Jess Walteris an American author of six novels, a collection of short stories, and a non-fiction book. His books have been published in twenty-six countries and translated into twenty-eight languages. He is the recipient of the Edgar Allan Poe Award, among others, and was a finalist for the National Book Award in 2006...
NationalityAmerican
ProfessionAuthor
Date of Birth20 July 1965
CountryUnited States of America
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I tend to like the last sentence I just wrote, which is: 'It was late in the fall and the trees lining our driveway had turned red like a row of burning matches.'
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I probably would have gone the M.F.A. route except I was a dad at 19, and it made more sense to go to work for a newspaper and support a kid that way. But the funny thing is, that detour became the most important step in my developing as a novelist.
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In seventh grade, with some vague sense that I wanted to be a writer, I crouched in the junior high school library stacks to see where my novels would eventually be filed. It was right after someone named Kurt Vonnegut, Jr. So I grabbed a Vonnegut book, 'Breakfast of Champions' and immediately fell in love.
subject
I'm a writer, and the subject is less important than the act of writing itself.
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Without sounding overly sentimental about the process, I'd say trying to describe how you tend to conceive of a book is like describing how you tend to fall in love.
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There are some people whose Twitter feeds are works of art. They intuitively understand how much of themselves to put out there.
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I think celebrity has become almost normalized. I feel like we all live our lives in a pale imitation of celebrity. With Facebook, we choose a photo that is not too good a photo - we're more arch than that. We're our own celebrity publicists. We understand it so innately.
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For me, movies and television are interesting because they are the dominant storytelling form of our time. My first love will always be fiction, and especially novels, but I'm a writer... I write poetry and essays and criticism and I'd love to write a whole play, and sometimes I even write scripts.
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My writing regimen is not very regimented. I tend to be a binge writer, working sometimes in the morning and sometimes all night. When I get going I like to hunch over the keyboard until I feel totally played out.
poetry
My poetry is the most disappointing thing for me that I've ever written. When I say I can write everything, I don't say I can write everything well.
My poems... the ones that start out as jokes become these big ponderous things and the ones that start out ponderous devolve into jokes.
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I teach in M.F.A. programs now, and I think that's a great way to become a novelist, but I mourn that Pete Dexter and Joan Didion's route is maybe less likely because there are fewer of those jobs. I always liken it to playing piano in some great dive jazz bar. You didn't pick the songs, you played what people asked for, but you got your chops.
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I think I would explode in flames of irony if I were to option an idea that I was satirizing in a novel.
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I think suspense should be like any other color on a writer's palette. I suppose I'm in the minority but I think it's crazy for 'literary fiction' to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.