J. G. Ballard

J. G. Ballard
James Graham "J. G." Ballard was an English novelist, short story writer, and essayist. He came to be associated with the New Wave of science fiction early in his career with apocalypticnovels such as The Wind from Nowhereand The Drowned World. In the late 1960s, Ballard produced a variety of experimental short stories, such as those collected in The Atrocity Exhibition, which drew comparisons with the work of postmodernist writers such as William S. Burroughs. In the mid 1970s, he...
NationalityBritish
ProfessionAuthor
Date of Birth18 November 1930
Memories have huge staying power, but like dreams, they thrive in the dark, surviving for decades in the deep waters of our minds like shipwrecks on the sea bed.
I take for granted that for the imaginative writer, the exercise of the imagination is part of the basic process of coping with reality, just as actors need to act all the time to make up for some deficiency in their sense of themselves.
During the 1960s, the Shanghai of my childhood seemed a portent of the media cities of the future, dominated by advertising and mass circulation newspapers and swept by unpredictable violence.
All through my career I've written 1,000 words a day - even if I've got a hangover. You've got to discipline yourself if you're professional. There's no other way.
Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.
Enlightened legislation or enlightened social activity of whatever kind, does play into the hands of people with agendas of their own. If you legalize euthanasia, you provide a field day for people who like killing other people.
I felt the pressure of imagination against the doors of my mind was so great that they were going to burst.
By the eighteenth book, one has a sense of having bricked oneself into a niche, a roosting place for other people's pigeons. I wouldn't recommend it.
My brief stay at the hospital had already convinced me that the medical profession was an open door to anyone nursing a grudge against the human race.
I work for three or four hours a day, in the late morning and early afternoon. Then I go out for a walk and come back in time for a large gin and tonic.
People will begin to explore all the sidestreets of sexual experience, but they will do it intellectually. . . . Sex won't take place in the bed, necessarily--it'll take place in the head!
I've never suffered from writer's block. I have plenty of ideas, sometimes too many. I've always had a strong imagination. If it dries up I'll stop and look for another career.
In the past we have always assumed that the external world around us has represented reality, however confusing or uncertain, and that the inner world of our minds, its dreams, hopes, ambitions, represented the realm of fantasy, and the imagination. These roles, it seems to me, have been reversed. The most prudent and effective method of dealing with the world around us is to assume that it is a complete fiction - conversely, the one small node of reality left to us is inside of our own heads.
Burroughs called his greatest novel Naked Lunch, by which he meant it's what you see on the end of a fork. He's a writer of enormous richness whose books are a kind of attempt to blow up this cozy conspiracy, to allow us to see what's on the end of the fork . . . the truth.