Haruki Murakami

Haruki Murakami
Haruki Murakamiis a contemporary Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. The critical acclaim for his fiction and non-fiction has led to numerous awards, in Japan and internationally, including the World Fantasy Awardand the Frank O'Connor International Short Story Award. His oeuvre received, for example, the Franz Kafka Prizeand the Jerusalem Prize...
NationalityJapanese
ProfessionWriter
Date of Birth12 January 1949
CountryJapan
How many Sundays – how many hundreds of Sundays like this – lay ahead of me? “Quiet, peaceful and lonely,” I said aloud to myself. On Sundays i didn't wind my spring.
I miss you terribly sometimes, but in general I go on living with all the energy I can muster. Just as you take care of the birds and the fields every morning, every morning I wind my own spring. I give it some 36 good twists by the time I've got up, brushed my teeth, shaved, eaten breakfast, changed my clothes, left the dorm, and arrived at the university. I tell myself, "OK, let's make this day another good one." I hadn't noticed before, but they tell me I talk to myself a lot these days. Probably mumbling to myself while I wind my spring.
You're walking through a field all by yourself one day in spring and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, 'Hi, there, little lady. Want to tumble with me?' So you and the bear spend the whole day in each other's arms, tumbling down this clover-covered hill. Nice, huh?
What I saw wasn't a ghost. It was simply--myself. I can never forget how terrified I was that night, and whenever I remember it, this thought always springs to mind: that the most frightening thing in the world is our own self. What do you think?
It was spring break, so the theater was always packed with high schools students. It was an animal house. I wanted to burn the place down.
In the spring of her twenty-second year, Sumire fell in love for the first time in her life.
It was a narrow world, a world that was standing still. But the narrower it became, the more it betook of stillness, the more this world that enveloped me seemed to overflow with things and people that could only be called strange. They had been there all the while, it seemed, waiting in the shadows for me to stop moving. And every time the wind-up bird came to my yard to wind its spring, the world descendedmore deeply into chaos.
You know, the usual story. Once upon a time I was playing my harp by a spring when a fairy appeared out of nowhere, handed me a Beretta Model 92, and told me to shoot the white rabbit over there for target practice.
We can, if we so choose, wander aimlessly over the continent of the arbitrary. Rootless as some winged seed blown about on a serendipitous spring breeze.
From the girl who sat before me now...surged a fresh and physical life force. She was like a small animal that has popped into the world with the coming of spring. Her eyes moved like an independent organism with joy, laughter, anger, amazement, and despair. I hadn't seen a face so vivid and expressive in ages, and I enjoyed watching it live and move.
A regular wind-up toy world this is, I think. Once a day the wind-up bird has to come and wind the springs of this world. Alone in this fun house, only I grow old, a pale softball of death swelling inside me. Yet even as I sleep somewhere between Saturn and Uranus, wind-up birds everywhere are busy at work fulfilling their appointed rounds.
Her partially open lips now opened wide, and her soft, fragrant tongue entered his mouth, where it began a relentless search for unformed words, for a secret code engraved there. Tengo's own tongue responded unconsciously to this movement and soon their tongues were like two young snakes in a spring meadow, newly wakened from their hibernation and hungrily intertwining, each led on by the other's scent.
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
It's because of you when I'm in bed in the morning that I can wind my spring and tell myself I have to live another good day.