Haruki Murakami

Haruki Murakami
Haruki Murakamiis a contemporary Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. The critical acclaim for his fiction and non-fiction has led to numerous awards, in Japan and internationally, including the World Fantasy Awardand the Frank O'Connor International Short Story Award. His oeuvre received, for example, the Franz Kafka Prizeand the Jerusalem Prize...
NationalityJapanese
ProfessionWriter
Date of Birth12 January 1949
CountryJapan
Original manuscripts are private information. Like personal letters, there are parts I don't want other people to see.
Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally. So I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run. The next day, the dream will continue.
I'm not intelligent. I'm not arrogant. I'm just like the people who read my books. I used to have a jazz club, and I made the cocktails and I made the sandwiches. I didn't want to become a writer - it just happened.
I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching.
Many people tell me that they don 't know what to feel when they finish one of my books because the story was dark, or complicated, or strange. But while they were reading it, they were inside my world and they were happy. That's good.
It is my huge pleasure that my novels are translated into languages that are read among small numbers of people.
People soon get tired of things that aren't boring, but not of what is boring.
If you try to use your head to think about things, people don't want to have anything to do with you
Everybody has some one thing they do not want to lose," began the man. "You included. And we are professionals at finding out that very thing. Humans by necessity must have a midway point between their desires and their pride. Just as all objects must have a center of gravity. This is something we can pinpoint. Only when it is gone do people realize it even existed.
She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me.
They take the circuits out of people’s brains that make it possible for them to think for themselves. Their world is like the one that George Orwell depicted in his novel. I’m sure you realize that there are plenty of people who are looking for exactly that kind of brain death. It makes life a lot easier. You don’t have to think about difficult things, just shut up and do what your superiors tell you to do.
Suicides? Heart attacks? The papers didn't seem interested. The world was full of ways to die, too many to cover. Newsworthy deaths had to be exceptional. Most people go unobserved.
One last word of advice, though, Mr. Okada, though you may not want to hear this. There are things in this world it is better not to know about. Of course, those are the very things that people most want to know about. It's strange.
So this was how secrets got started, I thought to myself. People constructed them little by little. I had not intended to keep May Kasahara a secret from Kumiko. My relationship with her was not that big a deal, finally: whether I mentioned it or not was of no consequence. Once it had flown down a certain delicate channel, however, it had become cloaked in the opacity of secretiveness, whatever my original "intention" had have been.