Haruki Murakami
Haruki Murakami
Haruki Murakamiis a contemporary Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. The critical acclaim for his fiction and non-fiction has led to numerous awards, in Japan and internationally, including the World Fantasy Awardand the Frank O'Connor International Short Story Award. His oeuvre received, for example, the Franz Kafka Prizeand the Jerusalem Prize...
NationalityJapanese
ProfessionWriter
Date of Birth12 January 1949
CountryJapan
I closed my eyes and listened carefully for the descendants of Sputnik, even now circling the earth, gravity their only tie to the planet. Lonely metal souls in the unimpeded darkness of space, they meet, pass each other, and part, never to meet again. No words passing between them. No promises to keep.
Sometimes I feel so- I don’t know - lonely. The kind of helpless feeling when everything you’re used to has been ripped away. Like there’s no more gravity, and I’m left to drift in outer space with no idea where I’m going’ Like a little lost Sputnik?’ I guess so.
Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And, hovering about, there are signs no one has ever read, chords no one has ever heard.
I was reduced to pure concept. My flesh had dissolved; my form had dissipated. I floated in space. Liberated of my corporeal being, but without dispensation to go anywhere else.I was adrift in the void. Somewhere across the fine line separating nightmare from reality.
Whether you take the doughnut hole as a blank space or as an entity unto itself is a purely metaphysical question and does not affect the taste of the doughnut one bit.
When I was little, I had this science book. There was a section on 'What would happen to the world if there was no friction?' Answer: 'Everything on earth would fly into space from the centrifugal force of revolution.' That was my mood.
A certain something, he felt, had managed to work its way in through a tiny opening and was trying to fill a blank space inside him. The void was not one that she had made. It had always been there inside him. She had merely managed to shine a special light on it.
Original manuscripts are private information. Like personal letters, there are parts I don't want other people to see.
This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realize it's going to be a long process and that you'll work on things slowly, one at a time.
It's physical. If you keep on writing for three years, every day, you should be strong. Of course you have to be strong mentally, also. But in the first place you have to be strong physically. That is a very important thing. Physically and mentally you have to be strong.
Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally. So I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run. The next day, the dream will continue.
I'm not intelligent. I'm not arrogant. I'm just like the people who read my books. I used to have a jazz club, and I made the cocktails and I made the sandwiches. I didn't want to become a writer - it just happened.
I don't want to express my opinion about actual politics, because if I do, I have to be responsible for my decision.
If you cannot concentrate, you are not so happy.