Haruki Murakami

Haruki Murakami
Haruki Murakamiis a contemporary Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. The critical acclaim for his fiction and non-fiction has led to numerous awards, in Japan and internationally, including the World Fantasy Awardand the Frank O'Connor International Short Story Award. His oeuvre received, for example, the Franz Kafka Prizeand the Jerusalem Prize...
NationalityJapanese
ProfessionWriter
Date of Birth12 January 1949
CountryJapan
They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It's a miracle, a cosmic miracle.
I'm in no position to hand down any advice," he said, "but there's a rule I follow when I don't know what to do." "A rule?" "If you have to choose between something that has form and something that doesn't, go for the one without form. That's my rule. Whenever I run into a wall I follow that rule, and it always works out. Even if it's hard going at the time.
Oshima's silent for a time as he gazes at the forest, eyes narrowed. Birds are flitting from one branch to the next. His hands are clasped behind his head. "I know how you feel," he finally says. "But this is something you have to work out on your own. Nobody can help you. That's what love's all about, Kafka. You're the one having those wonderful feelings, but you have to go it alone as you wander through the dark. Your mind and body have to bear it all. All by yourself.
Of course you got rights, the law's on your side, but sometimes the law takes a long time to kick in and so it gets put in the hands of us poor suckers on duty. You get my drift?
My face, my self, what would they mean to anybody? Just another stiff. So this self of mine passes some other's self on the street - what do we have to say to each other? Hey there! Hi ya!That's about it. Nobody raises a hand. No one turns around to take another look.
You’re here,” I continued. “At least you look as if you’re here. But maybe you aren’t. Maybe it’s just your shadow. The real you may be someplace else. Or maybe you already disappeared, a long, long time ago. I reach out my hand to see, but you’ve hidden yourself behind a cloud of probablys. Do you think we can go on like this forever?
Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person.
At the entrance to the original tower, there is a stone into which Jung carved some words with his own hand: 'Cold or not, God is present.
My father always told me: 'Give somebody a hand and he'll take an arm.
As long as I stared at the clock, at least the world remained in motion. Not a very consequential world, but in motion nonetheless. And as long as I knew the world was still in motion, I knew I existed. Not a very consequential existence, but an existence nonetheless. It struck me as wanting that someone should confirm his own existence only by the hands of an electric wall clock. There had to be a more cognitive means of confirmation. But try as I might, nothing less facile came to mind.
Where are you now?’ Where was I now? Gripping the receiver, I raised my hand and turned to see what lay beyond the telephone booth. Where was I now? I had no idea. No idea at all. Where was this place? All that flashed into my eyes were the countless shapes of people walking by to nowhere. Again and again, I called out for Midori from the dead center of this place that was no place.
Crying is personal. On the other hand, laughing is more general . Laughing makes our hearts wider.
Those five fingers and that palm were like a display case crammed full of everything I wanted to know--and everything I had to know. By taking my hand, she showed me what these things were. That within the real world, a place like this existed. In the space of those ten seconds I became I tiny bird, fluttering in the air, the wind rushing by. From high in the sky I could see a scene far away. It was so far off I couldn't make it out clearly, yet something was there, and I knew that someday I would travel to that place.
So that's how we live our lives. No matter how deep and fatal the loss, no matter how important the thing that's stolen from us--that's snatched right out of our hands--even if we are left completely changed, with only the outer layer of skin from before, we continue to play out our lives this way, in silence. We draw ever nearer to the end of our allotted span of time, bidding it farewell as it trails off behind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of immeasurable emptiness.