Haruki Murakami
Haruki Murakami
Haruki Murakamiis a contemporary Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. The critical acclaim for his fiction and non-fiction has led to numerous awards, in Japan and internationally, including the World Fantasy Awardand the Frank O'Connor International Short Story Award. His oeuvre received, for example, the Franz Kafka Prizeand the Jerusalem Prize...
NationalityJapanese
ProfessionWriter
Date of Birth12 January 1949
CountryJapan
In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half.
Once you let yourself grow close to someone, cutting the ties could be painful.
In real life things don’t go so smoothly. At certain points in our lives, when we really need a clear-cut solution, the person who knocks at our door is, more likely than not, a messenger bearing bad news.
Time really is one big continuous cloth, no? We habitually cut out pieces of time to fit us, so we tend to fool ourselves into thinking that time is our size, but it really goes on and on.
No matter how clear things might become in the forest of story, there was never a clear-cut solution, as there was in math. The role of a story was, in the broadest terms, to transpose a problem into another form. Depending on the nature and the direction of the problem, a solution might be suggested in the narrative. Tengo would return to the real world with that solution in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. It served no immediate practical purpose, but it contained a possibility.
Everyone just keeps on disappearing. Some things vanish, like they were cut away. Others fade slowly into the mist. And all that remains is a desert.
This is no honky-tonk parade. 1Q84 is the real world, where a cut draws real blood, where pain is real pain and fear is real fear. The moon in the sky is no paper moon.
In certain areas of my life, I actively seek out solitude. Especially for someone in my line of work, solitude is, more or less, an inevitable circumstance. Sometimes, however, this sense of isolation, like acid spilling out of a bottle, can unconsciously eat away at a person's heart and dissolve it. You could see it, too, as a kind of double-edged sword. It protects me, but at the same time steadily cuts away at me from the inside.
Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.
Original manuscripts are private information. Like personal letters, there are parts I don't want other people to see.
As a writer, I felt it necessary to raise the alarm that a rampant, clandestine and unlawful trade in original manuscripts exists.
In principle, ownership of handwritten documents lies with the author. A large number of my manuscripts have been leaked and are now missing. These are stolen items of sorts, because they were taken without permission and sold for financial gain.
I don't want to express my opinion about actual politics, because if I do, I have to be responsible for my decision.
If you cannot concentrate, you are not so happy.