H. L. Mencken
H. L. Mencken
Henry Louis Menckenwas a German-American journalist, satirist, cultural critic and scholar of American English. Known as the "Sage of Baltimore", he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century. As a scholar Mencken is known for The American Language, a multi-volume study of how the English language is spoken in the United States. His satirical reporting on the Scopes trial, which he dubbed the "Monkey Trial", also...
NationalityAmerican
ProfessionWriter
Date of Birth12 September 1880
CountryUnited States of America
Great artists are modest almost as seldom as they are faithful to their wives.
Balloonists have an unsurpassed view of the scenery, but there is always the possibility that it may collide with them.
No one in this world, so far as I know--and I have searched the records for years, and employed agents to help me--has ever lost money by underestimating the intelligence of the great masses of the plain people. Nor has any one ever lost public office thereby. The mistake that is made always runs the other way. Because the plain people are able to speak and understand, and even, in many cases, to read and write, it is assumed that they have ideas in their heads, and an appetite for more. This assumption is folly. They dislike ideas, for ideas make them uncomfortable.
The prophesying business is like writing fugues; it is fatal to every one save the man of absolute genius.
I have little belief in human progress. The human race is incurably idiotic. It will never be happy.
Man is never honestly the fatalist, nor even the stoic. He fights his fate, often desperately. He is forever entering bold exceptions to the rulings of the bench of gods. This fighting, no doubt, makes for human progress, for it favors the strong and the brave. It also makes for beauty, for lesser men try to escape from a hopeless and intolerable world by creating a more lovely one of their own.
Culture itself is neither education nor law-making: it is an atmosphere and a heritage.
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
Puccini - silver macaroni, exquisitely tangled.
I believe there is a limit beyond which free speech cannot go, but it's a limit that's very seldom mentioned. It's the point where free speech begins to collide with the right to privacy. I don't think there are any other conditions to free speech. I've got a right to say and believe anything I please, but I haven't got a right to press it on anybody else. .... Nobody's got a right to be a nuisance to his neighbors.
No one ever heard of the truth being enforced by law. When the secular is called in to sustain an idea, whether new or old, it is always a bad idea, and not infrequently it is downright idiotic.
No politician is ever benefited by saving money; it is spending it that makes him.
I know of no human being who has a better time than an eager and energetic young reporter.
To be happy one must be (a) well fed, unhounded by sordid cares, at ease in Zion, (b) full of a comfortable feeling of superiority to the masses of one's fellow men, and (c) delicately and unceasingly amused according to one's taste. It is my contention that, if this definition be accepted, there is no country in the world wherein a man constituted as I am a man of my peculiar weakness, vanities, appetites, and aversions can be so happy as he can be in the United States.