H. L. Mencken
H. L. Mencken
Henry Louis Menckenwas a German-American journalist, satirist, cultural critic and scholar of American English. Known as the "Sage of Baltimore", he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century. As a scholar Mencken is known for The American Language, a multi-volume study of how the English language is spoken in the United States. His satirical reporting on the Scopes trial, which he dubbed the "Monkey Trial", also...
NationalityAmerican
ProfessionWriter
Date of Birth12 September 1880
CountryUnited States of America
Conscience is a mother-in-law whose visit never ends.
Theology is the effort to explain the unknowable in terms of the not worth knowing.
When somebody says it’s not about the money, it’s about the money.
The way to deal with superstition is not to be polite to it, but to tackle it with all arms, and so rout it, cripple it, and make it forever infamous and ridiculous. Is it, perchance, cherished by persons who should know better? Then their folly should be brought out into the light of day, and exhibited there in all its hideousness until they flee from it, hiding their heads in shame.
Religion deserves no more respect than a pile of garbage.
The public, with its mob yearning to be instructed, edified and pulled by the nose, demands certainties; it must be told definitely and a bit raucously that this is true and that is false. But there are no certainties.
Those who can't teach - administrate. Those who can't administrate - go into politics.
The great secret of happiness in love is to be glad that the other fellow married her.
The learned are seldom pretty fellows, and in many cases their appearance tends to discourage a love of study in the young.
After all is said and done, a hell lot of a lot more is said than done.
One is conscious of no brave and noble earnestness in it, of no generalized passion for intellectual and spiritual adventure, of no organized determination to think things out. What is there is a highly self-conscious and insipid correctness, a bloodless respectability submergence of matter in manner--in brief, what is there is the feeble, uninspiring quality of German painting and English music.
The truth is . . . that the great artists of the world are never puritans, and seldom ever ordinarily respectable. No virtuous man - that is, virtuous in the YMCA sense - has ever painted a picture worth looking at, or written a symphony worth hearing, or a book worth reading, and it is highly improbable that the thing has ever been done by a virtuous woman.
As long as you represent me as praising alcohol I shall not complain,
After all, the world is not our handiwork, and we are not responsible for what goes on in it, save within very narrow limits.