Fernando Pessoa

Fernando Pessoa
Fernando Pessoa, born Fernando António Nogueira Pessoa, was a Portuguese poet, writer, literary critic, translator, publisher and philosopher, described as one of the most significant literary figures of the 20th century and one of the greatest poets in the Portuguese language. He also wrote in and translated from English and French...
NationalityPortuguese
ProfessionPoet
Date of Birth13 June 1888
CityLisbon, Portugal
CountryPortugal
I'm upset by the happiness of all these men who don't know they're unhappy. Because of that, though, I love them all. Dear vegetables!
Man shouldn't be able to see his own face. That's what's most terrible. Nature gave him the possibility of not seeing it, as well as the incapacity of not seeing his own eyes.
The supreme empire is that of the Emperor who renounces all normal life, that of other men, and in who the care of supremacy doesn't weigh like a load of jewels.
God wills, man dreams, the work is born.
There is no safe standard to tell man from animals.
Every man who deserves to be famous knows it is not worth the trouble.
If a man can only write well when drunk, I'll tell him: get drunk. And if he tells me that his liver suffers with it, I'll answer: what's your liver? It's a dead thing that lives as long as you live, and the poems you'll write will live without a as long as.
The perfect man of pagans was the perfection of the man there is; the perfect man of christians, the perfection of the man there isn't; the buddhists' perfect man, the perfection of not existing a man.
I had the same sensation as when we watch someone sleep. When asleep we all become children again. Perhaps because in the state of slumber we can do no wrong and are unconscious of life, the greatest criminal and most self- absorbed egotist are holy, by a natural magic, as long as they're sleeping. For me there's no discernible difference between killing a child and killing a sleeping man.
There's something vile (and all the more vile because ridiculous) in the tendency of feeble men to make universal tragedies out of the sad comedies of their private woes.
Everything stated or expressed by man is a note in the margin of a completely erased text. From what's in the note we can extract the gist of what must have been in the text, but there's always a doubt, and the possible meanings are many.
To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming — like worms when a rock is lifted — under the huge abstract boulder of the meaningless blue sky.
Without madness what is man But a wholesome beast, Postponed corpse that begets?
I'm a man for whom the outside world is an inner Reality.