David Oyelowo

David Oyelowo
David Oyetokunbo Oyelowo, OBE is a African actor and producer. He has played supporting roles in the films Rise of the Planet of the Apes, Middle of Nowhere, Lincoln, and garnered praise for portraying Louis Gaines in The Butler. On television, he played MI5 officer Danny Hunter in the British series Spooks, and as of 2014, provides the voice of Imperial Security Bureau Agent Kallus on the animated series Star Wars Rebels. In 2014, Oyelowo played Martin Luther King, Jr...
NationalityEnglish
ProfessionTV Actor
Date of Birth1 April 1976
CityOxford, England
I've been an actor for 14 years now and a lot of that time was spent in theatre and television. Then I moved to L.A. to try and build upon that and it's starting to pay off!
One of the skills you have to master in theater is the ability to make the audience believe that things that aren't there are there - just like when you're acting against CGI. Also, in a theater, the people in the back row can't see the whites of your eyes. Or your lips moving as you deliver dialogue.
We start 'The Butler' in June and that's incredibly exciting for me because I get to work with the amazing Forest Whitaker again. It's a phenomenal script and a great, great role - I play his son. Oprah Winfrey is his wife and my mother. My character is a radical civil rights activist.
A film centered around the Second World War with a predominantly white cast would not have the pressure on it that 'Red Tails' has.
I do think opportunity breeds bravery. It's such a competitive profession, no one owes you anything, talent in itself is not enough. I went to drama school with so many great actors who are not doing it anymore and it's circumstantial.
I know for a fact the reason I'm an actor is because one, two, maybe three people when I was younger saw something that I did, in youth theater or some small play somewhere, and said, "You're good."
One of the occupational hazards of being an actor, the reason why so many actors are insecure, is that the only way we know we're good is when other people tell us.
I think what a lot of people don't realize is how much being the leader of this movement weighed upon him. After all, he [Dr. Martin Luter King] was only 39 years-old when he was assassinated, and only 36 during the Selma campaign. He always seemed older than he actually was, and I believe part of that had to do with just how much life he had to live in order to lead this movement.
I'm one of those actors who says, "Point me toward the work that matters to me and I don't care where you're putting it. Television show. Movie. Projected on the back of someone's garage." If that's where the work is that's exciting to me and moving, I want to be there.
I feel television is in a fantastically rich vein of what it's presenting both by opportunity to actors and to audiences.
When you reflect upon the significance of Dr. King to this nation, it's criminal that he hasn't had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you're doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that's humbling... that's deeply moving. You're no longer acting at that stage, you're just reacting, because it takes the filmmaking process to another dimension.
You're always looking for roles and other creatives who are going to be challenging to you, because you're always a better actor after the experience.
I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.
Hate cannot overcome hate; only love can do that.